Wolfgang Amadeus Mozart, Susan Palma-Nidel, Bernard Rose, Nancy Allen, Orpheus Chamber Orchestra's 'Concerto for Flute, Harp, and Orchestra in C Major, K. 299: I. Allegro - Cadenza: Susan Palma and Bernard Rose' came out on January 1, 2001. Concerto for Flute, Harp, and Orchestra in C Major, K. 299: I. Allegro - Cadenza: Susan Palma and Bernard Rose appears to be safe for all ages as it is not explicit. The track order of this song in Wolfgang Amadeus Mozart, Orpheus Chamber Orchestra's "Mozart, W.A.: The Wind Concertos / Serenades / Divertimenti" album is number 7 out of 83. Based on our statistics, Concerto for Flute, Harp, and Orchestra in C Major, K. 299: I. Allegro - Cadenza: Susan Palma and Bernard Rose's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Concerto for Flute, Harp, and Orchestra in C Major, K. 299: I. Allegro - Cadenza: Susan Palma and Bernard Rose by Wolfgang Amadeus Mozart, Susan Palma-Nidel, Bernard Rose, Nancy Allen, Orpheus Chamber Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 124 テンポ, a half-time of 62テンポ, and a double-time of 248 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 20 in D Minor, K. 466: III. Rondo (Allegro assai) (Cadenzas by Gulda and Beethoven, WoO 58, 2) | Wolfgang Amadeus Mozart, Friedrich Gulda, Ludwig van Beethoven, Wiener Philharmoniker, Claudio Abbado | D Minor | 3 | 7A | 136 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 4 in D Major | Sergei Rachmaninoff, Nikolai Lugansky | D Major | 0 | 10B | 78 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
Le nozze di Figaro, K. 492 / Act 3: "Sull’aria ... Che soave zeffiretto" | Wolfgang Amadeus Mozart, Edith Mathis, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | B♭ Major | 1 | 6B | 80 BPM | ||
Keyboard Sonata in D Minor, K.9/L.413/P.65: Allegro | Domenico Scarlatti, Balazs Szokolay | F Major | 1 | 7B | 118 BPM | ||
Sonata No. 15 in C Major, II. Andante | Maria João Pires | G Major | 1 | 9B | 108 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro | George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown | G Minor | 4 | 6A | 120 BPM | ||
Mazurka No.36 In A Minor Op.59 No.1 | Frédéric Chopin, Vladimir Ashkenazy | A Major | 0 | 11B | 63 BPM |