"Les Huguenots / Act 5: Savez-vous qu'en joignant" by Giacomo Meyerbeer, Nicola Ghiuselev, Anastasios Vrenios, Martina Arroyo, Ambrosian Opera Chorus, New Philharmonia Orchestra, Richard Bonynge was released on January 1, 1970. The duration of Les Huguenots / Act 5: Savez-vous qu'en joignant is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Les Huguenots / Act 5: Savez-vous qu'en joignant's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Giacomo Meyerbeer, Dame Joan Sutherland, Martina Arroyo, Huguette Tourangeau, Anastasios Vrenios, Nicola Ghiuselev, Gabriel Bacquier, New Philharmonia Orchestra, Richard Bonynge's "Meyerbeer: Les Huguenots" album is number 10 out of 47. Les Huguenots / Act 5: Savez-vous qu'en joignant is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les Huguenots / Act 5: Savez-vous qu'en joignant by Giacomo Meyerbeer, Nicola Ghiuselev, Anastasios Vrenios, Martina Arroyo, Ambrosian Opera Chorus, New Philharmonia Orchestra, Richard Bonynge to be Andante (at a walking pace) because the track has a tempo of 77 テンポ, a half-time of 38テンポ, and a double-time of 154 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for Wind in D minor, Op.44: 3. Andante con moto | Antonín Dvořák, Martin Gabriel, Alexander Oehlberger, Peter Schmidl, Andreas Wieser, Stepan Turnovsky, Wolfgang Koblitz, Fritz Faltl, Ronald Janezic, Thomas Joebstl, Wolfgang Vladar, Wolfgang Herzer, Herbert Mayr, Myung-Whun Chung | A Major | 0 | 11B | 139 BPM | ||
Mozart, L: Toy Symphony: I. Allegro (Also Attributed to Haydn or Angerer) | Leopold Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 0 | 7B | 121 BPM | ||
Holberg Suite, Op.40: 2. Sarabande (Andante) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 85 BPM | ||
Accelerationen, Op.234 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 175 BPM | ||
Marche funebre | Luigi Cherubini, Radio Svizzera Italiana Orchestra, Diego Fasolis | D Minor | 0 | 7A | 82 BPM | ||
Symphony No. 1 in D Major, Op. 25 "Classical Symphony": IV. Finale (Vivace) | Sergei Prokofiev, Orpheus Chamber Orchestra | G Major | 2 | 9B | 67 BPM | ||
Concerto For Oboe And Small Orchestra In D Major: 2. Andante | Richard Strauss, Lothar Koch, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 91 BPM | ||
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | F Major | 1 | 7B | 91 BPM | ||
Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): III. Allegro con fuoco - Allegro moderato (à la Zingara) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | D Major | 2 | 10B | 74 BPM | ||
Les Huguenots / Act 1: Non loin des vieiles tours...Plus blanche que la | Giacomo Meyerbeer, Anastasios Vrenios, Ambrosian Opera Chorus, New Philharmonia Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 137 BPM |