Philip Glass, Alex Petcu made "Glassworks: I. Opening" available on September 16, 2016. Glassworks: I. Opening is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. The track order of this song in Alex Petcu's "In Time: Music for Solo Percussion" album is number 13 out of 13. On top of that, Ireland appears to be the country where this track was created. Based on our statistics, Glassworks: I. Opening's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Glassworks: I. Opening by Philip Glass, Alex Petcu to be Vivace (lively and fast) because the track has a tempo of 157 テンポ, a half-time of 78テンポ, and a double-time of 314 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite In Old Style: III. Riddle Of The Barrel-Organ Player - Postlude: Hunting And Finale | Dobrinka Tabakova, Lithuanian Chamber Orchestra, Vaiva Eidukaitytė-Storastienė, Maxim Rysanov | C Major | 3 | 8B | 110 BPM | ||
Move | Nico Muhly, Timo Andres | D Major | 2 | 10B | 89 BPM | ||
Alvorada | Lah Albano, João Marcondes, Sonoras | A Major | 1 | 11B | 80 BPM | ||
4 Pieces for Violin and Piano, Op. 7: No. 1, Sehr Langsam | Anton Webern, Diamanda La Berge Dramm, Helena Basilova | F♯ Minor | 0 | 11A | 133 BPM | ||
Musica callada, Vol. 1: I. Angelico | Federico Mompou | F Minor | 0 | 4A | 173 BPM | ||
A Hudson Cycle | Nico Muhly, Lavinia Meijer | B♭ Minor | 0 | 3A | 92 BPM | ||
Fatima Intro (Arr. for Baroque Ensemble by Eric Vloeimans and Tineke Steenbrink) | Eric Vloeimans, Holland Baroque Society | D Minor | 0 | 7A | 83 BPM | ||
Scene 7 | Michael Galasso | F Major | 2 | 7B | 126 BPM | ||
Qui Est Homo (From Pergolesi: Stabat Mater, Arranged By Jean-Louis Matinier & Marco Ambrosini) | Giovanni Battista Pergolesi, Jean-Louis Matinier, Marco Ambrosini | G Minor | 0 | 6A | 138 BPM | ||
Violin Concerto: II. Warm | Christopher Schmitz, Amy Schwartz Moretti, London Symphony Orchestra, Stefan Sanderling | D Minor | 1 | 7A | 89 BPM |