"Concerto for Violin, Cello and Orchestra: I. 1. Con moto" by David Ludwig, Jaime Laredo, Sharon Robinson, Vermont Symphony Orchestra, Sarah Hicks had its release date on November 1, 2011. This song appears to be safe for all ages as it is not explicit. There are a total of 12 in the song's album "Triple Doubles". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Concerto for Violin, Cello and Orchestra: I. 1. Con moto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto for Violin, Cello and Orchestra: I. 1. Con moto by David Ludwig, Jaime Laredo, Sharon Robinson, Vermont Symphony Orchestra, Sarah Hicks having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Anchoress: VI. A Woman of the Village | David Ludwig, Hyunah Yu, Prism Quartet, Piffaro, The Renaissance Band | A♭ Minor | 0 | 1A | 105 BPM | ||
Made Of Dreams | Return Of Dream | B♭ Minor | 2 | 3A | 172 BPM | ||
The Seven Stars' Symphony, Op. 132: II. Lilian Harvey | Charles Koechlin, Sinfonieorchester Basel, Ariane Matiakh | D♭ Major | 1 | 3B | 81 BPM | ||
3 Pieces, Op. 34: No. 1. Lent | Charles Koechlin, Eckart Hubner, Inge-Susann Romhild | B Minor | 0 | 10A | 72 BPM | ||
Tristan und Isolde, WWV 90: V, Liebestrank - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
Prélude à l’après-midi d’un faune, CD 87 (Arr. for Octet by G. Steele Johnson) | Claude Debussy, Graeme Steele Johnson, Ji Weon Ryu, Han Lash, Bora Kim, Rachel Loseke, Matthew Cohen, Yun Han, Kohei Yamaguchi | F Minor | 2 | 4A | 140 BPM | ||
Violin Concerto: IV. | Frederick Delius, Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | C Major | 1 | 8B | 171 BPM | ||
Concerto Grosso: II. Serenata | Maya Badian, Cristian Balea, Ilie Dornescu, Romanian National Orchestra, Ludovic Bacs | A Major | 1 | 11B | 119 BPM | ||
String Quartet No. 1, Mvnt. II. | James William Ricci, QX String Quartet | A♭ Major | 1 | 4B | 82 BPM | ||
Hannukah Cantata: VI. Candle Blessings | Choral Arts Philadelphia, Matthew C. Glandorf, David Ludwig | E Major | 0 | 12B | 101 BPM |