Markus Passion, BWV 247: 24. Mein Tröster ist nicht mehr bei mir
- テンポ
- 68
- キー
- E♭ Minor
- キャメロットミュージックキー
- 2A
Markus Passion, BWV 247: 24. Mein Tröster ist nicht mehr bei mir - Johann Sebastian Bach, BURAK, Musica Sequenza, Diana Ramirez 情報
- 音響性
- 96%
- ダンサビリティ
- 16%
- エネルギー
- 11%
- 手段性
- 1%
- 活気
- 11%
- ラウドネス
- 70%
- 話し言葉
- 5%
- 価数
- 13%
- 人気
- 1%
- ラウドネス
- -17.75 dB
まとめ
"Markus Passion, BWV 247: 24. Mein Tröster ist nicht mehr bei mir" by Johann Sebastian Bach, BURAK, Musica Sequenza, Diana Ramirez was released on June 4, 2021. With this song being about 5 minutes long, at 4:38, "Markus Passion, BWV 247: 24. Mein Tröster ist nicht mehr bei mir" by Johann Sebastian Bach, BURAK, Musica Sequenza, Diana Ramirez is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 15 out of 17 in Bach Opium by Christian Forshaw, Grace Davidson, Franz Liszt, Jonas Kaufmann, Stefan Temmingh, Capricornus Consort Basel, Carl Philipp Emanuel Bach, Nevermind, Quatuor Ébène, BURAK, Musica Sequenza, Diana Ramirez. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Markus Passion, BWV 247: 24. Mein Tröster ist nicht mehr bei mir is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Markus Passion, BWV 247: 24. Mein Tröster ist nicht mehr bei mir テンポ
The tempo marking of Markus Passion, BWV 247: 24. Mein Tröster ist nicht mehr bei mir by Johann Sebastian Bach, BURAK, Musica Sequenza, Diana Ramirez is Adagio (slowly with great expression), since this song has a tempo of 68 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Markus Passion, BWV 247: 24. Mein Tröster ist nicht mehr bei mir キー
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
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|---|---|---|---|---|---|---|---|
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 | Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 86 BPM | |
 | Overture in D Minor, TWV 55:2: Rondeau | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | D Minor | 1 | 7A | 83 BPM | |
 | Partita No.1 In B Flat Major, BWV 825: Prelude | Johann Sebastian Bach, Rafał Blechacz | B♭ Major | 1 | 6B | 98 BPM | |
 | Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro | Arcangelo Corelli, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 133 BPM | |
 | Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | |
 | Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | |
 | Cello Suite No. 1 in G Major, BWV 1007 (arr. for double bass): I. Prelude | Anonymous , Johann Sebastian Bach, Daxun Zhang | B Minor | 1 | 10A | 135 BPM | |
 | Concerto in D Minor for Two Violins, BWV 1043: Vivace | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | |
 | Concerto in D Minor, Op.7, No.4: I. Adagio | George Frideric Handel, Academy of Ancient Music, Richard Egarr | D♭ Minor | 0 | 12A | 75 BPM |
- ISRC
- DEZC62193162
- レコードレーベル
- L-M Records/RCA Records