Joseph Haydn, Les curiosités esthétiques, Jean-Pierre Pinet made "Divertimento for Flute, Violin & Cello in G Major, Hob. IV:7: II. Adagio" available on June 7, 2024. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Joseph Haydn, Jean-Pierre Pinet, Les curiosités esthétiques's "Haydn: Complete Flute Trios" album is number 5 out of 54. On top of that, France appears to be the country where this track was created. Divertimento for Flute, Violin & Cello in G Major, Hob. IV:7: II. Adagio is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Divertimento for Flute, Violin & Cello in G Major, Hob. IV:7: II. Adagio by Joseph Haydn, Les curiosités esthétiques, Jean-Pierre Pinet to be Andante (at a walking pace) because the track has a tempo of 88 テンポ, a half-time of 44テンポ, and a double-time of 176 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Danaïdes, Acte I Scène 1: Air de danse | Antonio Salieri, Les Chantres du Centre de Musique Baroque de Versailles, Olivier Schneebeli, Les Talens Lyriques, Christophe Rousset | F Major | 4 | 7B | 72 BPM | ||
Concerto for Fortepiano No. 1 in E-Flat Major (after Viotti): III. Rondo : Allegretto | Hélène de Montgeroult, Élisabeth Pion, Mathieu Lussier, Arion Orchestre Baroque | E♭ Major | 2 | 5B | 79 BPM | ||
5 German Dances with 7 Trios and Coda, D. 89: No. 2, German Dance in G Major | Franz Schubert, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM | ||
Arioso with 9 Variations in C Major, H. 259: Var. 5 | Carl Philipp Emanuel Bach, Marc-André Hamelin | F♯ Minor | 0 | 11A | 69 BPM | ||
Troisième livre de pièces de clavecin, Suite en La: Troisième livre de pièces de clavecin, Suite en La: XII. Cinquième Double | Jean-Philippe Rameau, Alexander Paley | A Minor | 0 | 8A | 125 BPM | ||
Deux Morceaux De Concours - I - Andandtino | Paula Robison | D Major | 1 | 10B | 154 BPM | ||
The Marriage of Figaro: Overture | Michael Maxwell | D Major | 2 | 10B | 137 BPM | ||
Symphony in C Major, Bryan C11 "Il comista": I. Allegro con brio | Jan Krtitel Vanhal, Munich Philharmonic Chamber Orchestra, Michael Helmrath | F Major | 0 | 7B | 70 BPM | ||
Mysliveček: Ezio: Overture - II. Andantino Affettuoso | Josef Mysliveček, Vaclav Luks | C Major | 0 | 8B | 84 BPM | ||
Das listige Bauernmädchen: No. 2, Andantino | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM |