"Antiphona O, beata infantia" by Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Hana Blaziková, Tereza Havlíková was released on 2015. The duration of Antiphona O, beata infantia is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Antiphona O, beata infantia's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Von Bingen: Ego sum homo by Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková. The song's track number on the album is #10 out of 15 tracks. In terms of popularity, Antiphona O, beata infantia is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Antiphona O, beata infantia by Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Hana Blaziková, Tereza Havlíková has a tempo of 91 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Antiphona O, beata infantia being at 91 テンポ, the half-time would be 46 テンポ with a double-time of 182 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Garrit Gallus flendo dolorose - In nova fert animus - Neuma (Motette) | Philippe de Vitry, Sequentia | G Major | 1 | 9B | 184 BPM | ||
A l'entrant d'este | Blondel De Nesle, Estampie, Graham Derrick | C Major | 0 | 8B | 133 BPM | ||
Hanacpachap cussisuinim | Juan de Araujo, Ensemble Villancico, Peter Pontvik | D♭ Minor | 1 | 12A | 132 BPM | ||
Cantigas de Santa Maria, No. 159: Non Sofre Santa Maria | Alfonso X El Sabio, Esther Lamandier | B Minor | 1 | 10A | 108 BPM | ||
Razboinika (The Wise Thief), Op.40, No.3 | Pavel Chesnokov, Vladimir Mostovoy, St.Petersburg Chamber Choir, Nikolai Korniev | B♭ Major | 0 | 6B | 78 BPM | ||
O que Balteira ora quer vingar | Anónimo, Manseliña | A Major | 3 | 11B | 158 BPM | ||
Quia vidisti me, Thoma | Orlande de Lassus, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 63 BPM | ||
Maria Pérez, and´eu mui coitado | Anónimo, Manseliña | D Major | 1 | 10B | 185 BPM | ||
Ita se n'er'a star | Lorenzo Masini, Palatino87 | G Minor | 1 | 6A | 67 BPM | ||
Let All Human Flesh Be Silent | The Sirin Choir, Choirmaster: Andrey Kotov | D Major | 2 | 10B | 129 BPM |