George Frideric Handel, Simon Preston/Menuhin Festival Orchestra/Yehudi Menuhin/Colin Tilney, Yehudi Menuhin, Menuhin Festival Orchestra made "Handel: Organ Concerto in F Major, Op. 4 No. 5, HWV 293: I. Larghetto" available on August 25, 1998. The duration of Handel: Organ Concerto in F Major, Op. 4 No. 5, HWV 293: I. Larghetto is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Handel: Organ Concerto in F Major, Op. 4 No. 5, HWV 293: I. Larghetto's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Simon Preston/Yehudi Menuhin/Menuhin Festival Orchestra, Menuhin Festival Orchestra's "Handel: Organ Concertos I" album is number 18 out of 42. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Handel: Organ Concerto in F Major, Op. 4 No. 5, HWV 293: I. Larghetto is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Handel: Organ Concerto in F Major, Op. 4 No. 5, HWV 293: I. Larghetto by George Frideric Handel, Simon Preston/Menuhin Festival Orchestra/Yehudi Menuhin/Colin Tilney, Yehudi Menuhin, Menuhin Festival Orchestra to be Andante (at a walking pace) because the track has a tempo of 95 テンポ, a half-time of 48テンポ, and a double-time of 190 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in E Minor: II. Vivace | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 3 | 2A | 117 BPM | ||
Overture in D Minor, TWV 55:2: Rondeau | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | D Minor | 1 | 7A | 83 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Symphony in C Major, Op. 1, No. 6, (Callen 6): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 143 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | C Major | 0 | 8B | 66 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Dido and Aeneas, Z. 626: Overture | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | B Minor | 2 | 10A | 91 BPM | ||
Recorder Concerto in F Major: I. Allegro | Giovanni Battista Sammartini, Maurice Steger, Instrumentalensemble | B Minor | 1 | 10A | 78 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM |