Drew Sarich, Sabrina Weckerlin, Wolfgang Adenberg, Marina Komissartchik made "Mit neuen Augen - Live" available on 2017. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 38 in Die Melodie des Broadway - Die Texte von Wolfgang Adenberg (Live) by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Mit neuen Augen - Live's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Mit neuen Augen - Live by Drew Sarich, Sabrina Weckerlin, Wolfgang Adenberg, Marina Komissartchik is Allegro (fast, quick, and bright), since this song has a tempo of 156 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Stärke einer Frau (Live) | Orchester der Vereinigten Bühnen Wien, Annemieke van Dam, Nienke Latten | E♭ Minor | 4 | 2A | 78 BPM | ||
Rebecca (Live) | Orchester der Vereinigten Bühnen Wien, Willemijn Verkaik, Ensemble der Vereinigten Bühnen Wien | E♭ Major | 8 | 5B | 81 BPM | ||
Ich hab geträumt von Manderley (Live) | Orchester der Vereinigten Bühnen Wien, Nienke Latten | E♭ Major | 8 | 5B | 81 BPM | ||
Die Zeiten sind hart | Spotlight Musicals, Dorothea Maria Müller, Leon van Leeuwenberg, Claudius Ruppel, Ensemble Originalcast Fulda 2016 | B♭ Minor | 4 | 3A | 132 BPM | ||
Wo stehn wir | Vera Bolten, Detlef Leistenschneider, Mark Weigel, Dominik Hees, Robin Koger, Dennis Henschel, Robin Brosch, Florian Soika, Pedro Reichard, Ensemble Stage Theater an der Elbe, Andreas Bongard, Tetje Mierendorf | D Minor | 8 | 7A | 170 BPM | ||
Sie ist seine Geliebte Annina, meine Muse | Boris Pfeifer, Chor der Volksoper Wien, Morten Frank Larsen, Drew Sarich, Rebecca Nelsen, Vienna Volksoper Orchestra, Dirigent Christian Kolonovits, Goran Mikulec, Thomas Hechenberger, Christian Wegscheider, Mischa Krausz, Simon Springer | D Major | 8 | 10B | 156 BPM | ||
Was fühl ich in mir? | Wicked - Die Hexen von Oz | C Major | 4 | 8B | 75 BPM | ||
Sie ergibt sich nicht (Live) | Orchester der Vereinigten Bühnen Wien, Willemijn Verkaik | E♭ Major | 8 | 5B | 81 BPM | ||
Runter die Perücke | Rebecca Nelson, Drew Sarich, Vienna Volksoper Orchestra, Dirigent Christian Kolonovits, Goran Mikulec, Thomas Hechenberger, Christian Wegscheider, Mischa Krausz, Simon Springer | G Major | 7 | 9B | 143 BPM | ||
Dann seh'n wir mal | Wlad, Ensemble Stage Palladium Theater, Dimitri, Anja | C Major | 4 | 8B | 117 BPM |