Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio made "Gli uccelli (The Birds), P. 154: III. La gallina: Allegro vivace" available on May 6, 2014. The duration of Gli uccelli (The Birds), P. 154: III. La gallina: Allegro vivace is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Gli uccelli (The Birds), P. 154: III. La gallina: Allegro vivace's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Respighi: Suite in G Major, P. 58, Trittico botticelliano, The Birds, & Serenata". In this album, this song's track order is #7. Based on our statistics, Gli uccelli (The Birds), P. 154: III. La gallina: Allegro vivace's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Gli uccelli (The Birds), P. 154: III. La gallina: Allegro vivace by Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio having a テンポ of 127 with a half-time of 64 テンポ and a double-time of 254 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Respighi & Rossini: La boutique fantasque, P. 120: IV. Danse cosaque | Gioacchino Rossini, Ottorino Respighi, Alceo Galliera, Philharmonia Orchestra | F Minor | 4 | 4A | 126 BPM | ||
Children's Album No. 1 "Pictures of Childhood": No. 5, Etude | Aram Khachaturian, Charlene Farrugia | A♭ Major | 1 | 4B | 85 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Montero: Adagio (After Bach's Violin Concerto No. 2, BWV 1042) | Johann Sebastian Bach, Gabriela Montero | F♯ Minor | 0 | 11A | 73 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Mazurka in A Minor, Op. 17 No. 4 | Frédéric Chopin, Khatia Buniatishvili | A Minor | 0 | 8A | 173 BPM | ||
I tempi assai lontani | Ottorino Respighi, Dame Joan Sutherland, Richard Bonynge | E♭ Minor | 0 | 2A | 71 BPM | ||
44 Duos for 2 Violins, BB 104, Vol. 1: Parosito (Teasing Song) | Béla Bartók, György Pauk, Kazuki Sawa | B Minor | 0 | 10A | 112 BPM |