"Symphony No. 7 in E Minor: III. Scherzo: Schattenhaft" by Gustav Mahler, Polish National Radio Symphony Orchestra, Michael Halasz was released on May 5, 1995. Since Symphony No. 7 in E Minor: III. Scherzo: Schattenhaft is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gustav Mahler, Michael Halasz's "Mahler, G.: Symphony No. 7" album is number 3 out of 5. On top of that, Hong Kong appears to be the country where this track was created. Symphony No. 7 in E Minor: III. Scherzo: Schattenhaft is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 7 in E Minor: III. Scherzo: Schattenhaft by Gustav Mahler, Polish National Radio Symphony Orchestra, Michael Halasz to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55: II. Andantino semplice - Prestissimo - Tempo I | Pyotr Ilyich Tchaikovsky, Martha Argerich, Royal Philharmonic Orchestra, Charles Dutoit | E Major | 5 | 12B | 134 BPM | ||
Appalachian Spring - 1945 Suite: 5. Allegro: Solo Dance of the Bride | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | F Major | 2 | 7B | 93 BPM | ||
Symphony No. 9 in E-Flat Major, Op. 70: II. Moderato | Dmitri Shostakovich, Berliner Philharmoniker, Kirill Petrenko | B♭ Minor | 2 | 3A | 122 BPM | ||
Glazunov: Raymonda Suite, Op. 57a : Entracte | Alexander Glazunov, Orchestre Philharmonique de Radio France, Paavo Järvi | D♭ Major | 0 | 3B | 69 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM | ||
Shostakovich: Symphony No. 1 in F Minor, Op. 10: III. Lento | Dmitri Shostakovich, Mariss Jansons, Berliner Philharmoniker | E♭ Major | 1 | 5B | 78 BPM | ||
Fidelio, Op. 72: Overture | Ludwig van Beethoven, Wolfgang Glashof, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz, Alan Titus, Gösta Winbergh, Inga Nielsen, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Péter Pálinkás, József Moldvay | E Major | 1 | 12B | 62 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: I. Allegro moderato | Dmitri Shostakovich, Boris Giltburg, Rhys Owens, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A♭ Major | 3 | 4B | 140 BPM | ||
The Firebird (L'oiseau de feu) - Suite (1919): Lullaby (Berceuse) | Igor Stravinsky, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | D♭ Minor | 0 | 12A | 110 BPM | ||
Symphony No. 3 in C Major, Op. 32: III. Andante | Nikolai Rimsky-Korsakov, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Minor | 3 | 8A | 136 BPM |