"Entradas de la Andante Caballería Op. 30, para Orquesta, Dos Fragmentos: Entrada III, Tristán de Leonis" by Eduardo Grau, Orquesta Filarmónica de Mendoza, Jorge Fontenla was released on August 27, 1995. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Panorama de la Música Argentina, Compositores Nacidos Entre 1916 - 1922". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Argentina. Based on our statistics, Entradas de la Andante Caballería Op. 30, para Orquesta, Dos Fragmentos: Entrada III, Tristán de Leonis's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Entradas de la Andante Caballería Op. 30, para Orquesta, Dos Fragmentos: Entrada III, Tristán de Leonis by Eduardo Grau, Orquesta Filarmónica de Mendoza, Jorge Fontenla having a テンポ of 127 with a half-time of 64 テンポ and a double-time of 254 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturnes, Op. 9: II. Andante (Arr. for Cello & Piano by Julian Riem) | Frédéric Chopin, Olga Scheps, Raphaela Gromes | E♭ Major | 1 | 5B | 170 BPM | ||
I've Been Involved For Thirty Years | Federico Jusid | D Minor | 1 | 7A | 71 BPM | ||
La memoria di Jean | Nicola Piovani | A Minor | 0 | 8A | 86 BPM | ||
Lieder Ohne Worte, Zweites Heft, Op. 30 (Arr. for Violin and Piano by Ferdinand David): I. Andante espressivo | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | D Major | 1 | 10B | 143 BPM | ||
Mist of Scented Harbor for solo violin: II. Chrysanthemum Garden | Angel Lam, USAB12395907, Patrick Yim | A Major | 2 | 11B | 113 BPM | ||
Orchestral Suite No. 2, Op. 11: III. Kehtolaulu. Andante semplice | Helvi Leiviskä, Dalia Stasevska, Sinfonia Lahti | A Minor | 0 | 8A | 85 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043 (Arr. Janoska Ensemble): I. Vivace | Janoska Ensemble | B♭ Major | 2 | 6B | 107 BPM | ||
Étude 11 (Estudios Efímeros) | Claudio Constantini | D Major | 5 | 10B | 67 BPM | ||
A campaign of tragedy (String Quartet) | Angles, Elle-Kari, Eva Lindal, Anna Lindal, Brusk Zanganeh, My Hellgren | G Major | 0 | 9B | 98 BPM | ||
The Armed Man (Ensemble Version): X. Agnus Dei | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera | C Major | 0 | 8B | 67 BPM |