"Piano Sonata No.2 in G minor, Op.22: 1. So rasch wie möglich - Schneller - Noch schneller" by Robert Schumann, Mitsuko Uchida was released on January 1, 2013. Since Piano Sonata No.2 in G minor, Op.22: 1. So rasch wie möglich - Schneller - Noch schneller is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 19 in the song's album "Schumann: G Minor Sonata; Waldszenen; Gesänge der Frühe". In this album, this song's track order is #10. Piano Sonata No.2 in G minor, Op.22: 1. So rasch wie möglich - Schneller - Noch schneller is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Sonata No.2 in G minor, Op.22: 1. So rasch wie möglich - Schneller - Noch schneller by Robert Schumann, Mitsuko Uchida having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dolly, Op.56: 2. Mi-A-Ou | Gabriel Fauré, Katia Labèque, Marielle Labèque | F Major | 1 | 7B | 71 BPM | ||
Lyric Pieces Book III, Op.43: 1. Butterfly | Edvard Grieg, Andrei Gavrilov | E Major | 1 | 12B | 71 BPM | ||
Préludes - Book 2, L.123: 7. La terrasse des audiences du clair de lune | Claude Debussy, Pierre-Laurent Aimard | F♯ Major | 0 | 2B | 70 BPM | ||
Scherzo in A-Flat Major | Alexander Borodin, Marco Rapetti | B Major | 2 | 1B | 167 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: V. Siciliana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 126 BPM | ||
Piano Concerto No. 20 in D Minor, K. 466: 3. Rondo. Allegro assai - Live | Wolfgang Amadeus Mozart, Mitsuko Uchida, Cleveland Orchestra | D Minor | 1 | 7A | 129 BPM | ||
Études-tableaux, Op. 39: No. 6, Allegro | Sergei Rachmaninoff, Boris Giltburg | A Minor | 2 | 8A | 83 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 22, R. 190: 3. Presto | Camille Saint-Saëns, Pascal Rogé, Royal Philharmonic Orchestra, Charles Dutoit | G Minor | 2 | 6A | 102 BPM | ||
Dvořák: Symphony No. 5 in F Major, Op. 76, B. 54: I. Allegro ma non troppo | Antonín Dvořák, Mariss Jansons, Oslo Philharmonic Orchestra | C Minor | 2 | 5A | 99 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 50: II. Romanza. Andante con moto | Nikolai Medtner, Neeme Järvi, London Philharmonic Orchestra, Geoffrey Tozer | A♭ Major | 2 | 4B | 87 BPM |