Antonio Salieri, Les Talens Lyriques, Christophe Rousset's 'Armida, Atto primo Scena 1: Gavotta' had a release date set for January 22, 2021. With This song being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 54 in the song's album "Salieri: Armida". In this album, this song's track order is #4. In terms of popularity, Armida, Atto primo Scena 1: Gavotta is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Armida, Atto primo Scena 1: Gavotta by Antonio Salieri, Les Talens Lyriques, Christophe Rousset having a テンポ of 101 with a half-time of 50 テンポ and a double-time of 202 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Silia valssi mollissa for String Orchestra | Wiljami Niittykoski, Ostrobothnian Chamber Orchestra, Kreeta-Maria Kentala | G Minor | 1 | 6A | 146 BPM | ||
Serenade in E Major, Op. 23, No. 6, G. 150: VIII. Presto assai | Giovanni Battista Viotti, Mario Carbotta, Carlo Balzaretti | G Major | 2 | 9B | 90 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Quintet in A Major for Clarinet and Strings, K. 581: IV. Allegretto con variazioni | Endres Quartet, Jost Michaels | A Major | 1 | 11B | 90 BPM | ||
Symphony in F Major, Op. 3, No. 5, W. C5: III. Allegro Assai | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | C Major | 2 | 8B | 112 BPM | ||
Concerto per violino N.2 in E Major, G44: Adagio | Giovanni Battista Viotti, Martha Carfi, Luis Michal, Bayerisches Kammerorchester München | A Major | 1 | 11B | 170 BPM | ||
Alceste, LWV 50, Prologue: Rondeau pour la Gloire | Jean-Baptiste Lully, Christophe Rousset, Les Talens Lyriques | B Major | 3 | 1B | 132 BPM | ||
Atys, LWV 53, Act I: Atys est trop heureux (Sangaride) | Jean-Baptiste Lully, Marie Lys, Les Talens Lyriques, Christophe Rousset | B♭ Major | 2 | 6B | 119 BPM | ||
La grotta di Trofonio: Larghetto | Antonio Salieri, Consortium Classicum | G Minor | 0 | 6A | 91 BPM | ||
L'Amant anonyme: Ouverture: II. Andante | Joseph Bologne, Chevalier de Saint-Georges, La Cetra Barockorchester Basel, Andrea Marcon | F Major | 1 | 7B | 138 BPM |