Arcangelo Corelli, Trio Sonnerie made "Sonata a violono e violone e cimbalo, Op. 5, Sonata No.11 in E: II.Allegro" available on 1989. The duration of Sonata a violono e violone e cimbalo, Op. 5, Sonata No.11 in E: II.Allegro is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Sonata a violono e violone e cimbalo, Op. 5, Sonata No.11 in E: II.Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 53 in Corelli: Violin Sonatas, Op. 5 by Arcangelo Corelli, Trio Sonnerie. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Sonata a violono e violone e cimbalo, Op. 5, Sonata No.11 in E: II.Allegro is currently average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Sonata a violono e violone e cimbalo, Op. 5, Sonata No.11 in E: II.Allegro by Arcangelo Corelli, Trio Sonnerie is Moderato (at a moderate speed), since this song has a tempo of 117 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto No. 1 in C Major, Hob. VIIb:1: I. Moderato | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | C Major | 1 | 8B | 138 BPM | ||
Partie (Suite) in G Major: II. Allemande | Johann Pachelbel, Henk Bouman, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 1 | 2B | 76 BPM | ||
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | F♯ Minor | 1 | 11A | 87 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Sonata a violono e violone e cimbalo, Op. 5, Sonata No.6 in A: V.Allegro | Arcangelo Corelli, Trio Sonnerie | A♭ Major | 1 | 4B | 73 BPM | ||
Concerto No. 1 in D Major: I. Allegro assai | Alessandro Marcello, Simon Standage, Collegium Musicum 90 | D♭ Major | 3 | 3B | 106 BPM | ||
Water Music, Suite No. 2, HWV 349: Water Music, Suite No. 2, HWV 349: XII. [Alla Hornpipe] | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Major | 2 | 3B | 132 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Harp Concerto in G Major: III. Vivace | Georg Christoph Wagenseil, Roberta Alessandrini, Mantova Orchestra, Vittorio Parisi | G Major | 1 | 9B | 77 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: I. Allegro assai: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 3 | 8B | 114 BPM |