Doris Day, George Sirava and His Orchestra made "Tacos, Enchiladas And Beans (with George Sirava and His Orchestra)" available on 1945. The duration of Tacos, Enchiladas And Beans (with George Sirava and His Orchestra) is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Tacos, Enchiladas And Beans (with George Sirava and His Orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Doris Day's "Golden Girl (The Columbia Recordings 1944-1966)" album is number 5 out of 48. On top of that, United States appears to be the country where this track was created. Based on our statistics, Tacos, Enchiladas And Beans (with George Sirava and His Orchestra)'s popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Tacos, Enchiladas And Beans (with George Sirava and His Orchestra) by Doris Day, George Sirava and His Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 126 テンポ, a half-time of 63テンポ, and a double-time of 252 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Five Foot Two Eyes of Blue | Guy Lombardo | C Major | 2 | 8B | 101 BPM | ||
Falling In Love With Love | Helen Merrill | D Minor | 2 | 7A | 144 BPM | ||
Blueberry Hill | Jimmy Dorsey & His Orchestra, Helen O'Connell, Bob Eberly | A♭ Major | 2 | 4B | 114 BPM | ||
The Walls Keep Talking | Anita O'Day | E♭ Major | 2 | 5B | 107 BPM | ||
Everything I Love | Morgana King | B♭ Major | 1 | 6B | 96 BPM | ||
French Poodle | Sam Butera, The Witnesses | D♭ Major | 2 | 3B | 116 BPM | ||
Try a Little Tenderness | Jimmy Durante | D♭ Major | 2 | 3B | 110 BPM | ||
Hey There - from The "Pajama Game" | Johnnie Ray | F Minor | 1 | 4A | 65 BPM | ||
Everybody Eats When They Come to My House | Cab Calloway & His Orchestra | F Major | 5 | 7B | 128 BPM | ||
There's a Lull In My Life | Carroll Gibbons, The Savoy Hotel Orpheans | F Minor | 1 | 4A | 78 BPM |