François Couperin, Blandine Verlet made "Second livre de pièces de clavecin, Ordre VI: No. 5, Les baricades mistérieuses" available on January 1, 1992. The duration of Second livre de pièces de clavecin, Ordre VI: No. 5, Les baricades mistérieuses is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Second livre de pièces de clavecin, Ordre VI: No. 5, Les baricades mistérieuses's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "La musique au temps de Marin Marais" album is number 6 out of 15. Second livre de pièces de clavecin, Ordre VI: No. 5, Les baricades mistérieuses is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Second livre de pièces de clavecin, Ordre VI: No. 5, Les baricades mistérieuses by François Couperin, Blandine Verlet to be Andante (at a walking pace) because the track has a tempo of 85 テンポ, a half-time of 42テンポ, and a double-time of 170 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Castor et Pollux, RCT 32, Acte I, Scène III: Prélude - Air accompagné "Tristes apprêts" | Jean-Philippe Rameau, Teodor Currentzis | D Major | 0 | 10B | 86 BPM | ||
Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Melodie" (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Yoonie Han | D Minor | 0 | 7A | 75 BPM | ||
Intermezzo in B-Flat Minor, Op. 117/2 | Johannes Brahms, Khatia Buniatishvili | D♭ Major | 0 | 3B | 67 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Menuets I & II | Jean-Philippe Rameau, Víkingur Ólafsson | G Major | 1 | 9B | 79 BPM | ||
Adagio, Variations and Rondo on Schone Minka, Op. 78: Variation 4 | Johann Nepomuk Hummel, Lise Daoust, Elizabeth Dolin, Carmen Picard | A Major | 1 | 11B | 128 BPM | ||
Minuet in A major, D. 334 | Franz Schubert, Arcadi Volodos | A Major | 0 | 11B | 92 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Les Nations - Premier Ordre - La Françoise; 5. Sarabande | Jordi Savall, François Couperin | F♯ Major | 0 | 2B | 101 BPM | ||
Double du Rossignol: 14ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | A Major | 1 | 11B | 63 BPM |