"Rigaudon" by André Campra, Douglas Bush, David Brown was released on 2006. The duration of Rigaudon is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Rigaudon's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Douglas Bush, David Brown's "Majestic Airs: Festive Music For Organ & Trumpet" album is number 2 out of 19. Rigaudon is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rigaudon by André Campra, Douglas Bush, David Brown to be Adagio (slowly with great expression) because the track has a tempo of 68 テンポ, a half-time of 34テンポ, and a double-time of 136 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Invitation to the Dance, Op. 65 (Aufforderung zum Tanze) - Orchestrated By H. Berlioz: Moderato - Allegro vivace - Vivace - Moderato | Carl Maria von Weber, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 122 BPM | ||
Orphee et Eurydice, Act II, Dance of the Blessed Spirits, Orfeo ed Euridice, Act II: Orfeo ed Euridice, Act II: Dance of the Blessed Spirits (arr. for flute and harp) | Donald Sosin, Christoph Willibald Gluck, Nora Shulman, Judy Loman | F Major | 1 | 7B | 82 BPM | ||
Concerto C-Dur: I. Tempo ordinario | Pietro Pellegrini, Annerös Hulliger, Jean-François Michel | G Major | 3 | 9B | 94 BPM | ||
Peer Gynt Suite No. 2, Op. 55: Solveig's Song | Jenő Hubay, Edvard Grieg, Nora Shulman, Judy Loman | A Minor | 1 | 8A | 99 BPM | ||
Messe de Requiem / Introite: Ib. Te dece hymnus | André Campra, Rolf Ehlers, Benoit Haller, Philip Niederberger, ensemble3 vocal et instrumental, Hans Michael Beuerle | E Major | 1 | 12B | 74 BPM | ||
Overture-Suite in A Minor: Réjouissance | Georg Philipp Telemann, David Munrow, Carmel Kaine, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 142 BPM | ||
Sacrae symphoniae (arr. T. Higgins for brass ensemble): Canzon per Sonar Septimi Toni No. 2 | Giovanni Gabrieli, Timothy Higgins, National Brass Ensemble, Gail Williams | C Major | 1 | 8B | 105 BPM | ||
Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Kyrie | Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | D♭ Major | 3 | 3B | 163 BPM | ||
Locus Iste, WAB 23: Locus iste, WAB 23 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | C Major | 0 | 8B | 75 BPM | ||
Charpentier: Te Deum in D Major, H. 146: I. Prelude. Marche en rondeau | Marc-Antoine Charpentier, William Christie | C Major | 4 | 8B | 75 BPM |