"A choral fanfare" by John Rutter, The Cambridge Singers was released on November 1, 1990. The duration of A choral fanfare is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. A choral fanfare's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Rutter: Te Deum and Other Church Music". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. A choral fanfare is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With A choral fanfare by John Rutter, The Cambridge Singers having a テンポ of 72 with a half-time of 36 テンポ and a double-time of 144 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lo! He Comes with Clouds Descending | Choir of St. John's College, Cambridge | G Major | 1 | 9B | 135 BPM | ||
Thou knowest, Lord, the secret of our hearts, Z. 58 | Henry Purcell, The Cambridge Singers, John Rutter | B♭ Major | 0 | 6B | 76 BPM | ||
O sacred head, sore wounded ('Passion Chorale': English Hymnal No. 102; O Haupt voll Blud und Wunden from the St Matthew Passion BWV244 Nos. 21 & 72) | Hans Leo Hassler, Choir of King's College, Cambridge, David Willcocks, Sir David Willcocks | D Major | 1 | 10B | 177 BPM | ||
Bethlehem Down | Peter Warlock, Voces8 | D Minor | 0 | 7A | 131 BPM | ||
Ave Maria | Franz Biebl, Akademiska Damkören Lyran, Sophie Aminoff, Aurora Djupsjöbacka, Maïmouna Jagne-Soreau, Jutta Seppinen | C Major | 1 | 8B | 138 BPM | ||
Requiem: V. Agnus Dei (Duke Dobing, flute) | John Rutter, Choir of King's College, Cambridge, Stephen Cleobury, City of London Sinfonia, Sinfonia Of London | F Major | 0 | 7B | 96 BPM | ||
Victoria: Ave Maria, for Double Choir - 1. Ave Maria, gratia plena | Tomás Luis de Victoria, Peter Phillips, The Tallis Scholars | A Minor | 1 | 8A | 93 BPM | ||
O Come, O Come, Emmanuel | Chanticleer | B Minor | 1 | 10A | 124 BPM | ||
Tomorrow Shall be my Dancing Day (arr. D. Willcocks) | Sir David Willcocks, Traditional, Elora Festival Singers, Noel Edison | B♭ Major | 1 | 6B | 129 BPM | ||
God rest ye merry, gentlemen (arr. D. Willcocks): God Rest Ye Merry, Gentlemen (arr. David Willcocks) | Sir David Willcocks, Traditional, Tewkesbury Abbey Choir, Andrew Sackett | E Minor | 1 | 9A | 103 BPM |