"Ledi Makbet Mtsenskogo uyezda, Op. 29, Act I: Act I: Akh, nye spitsa bol'she, poprobuyu (Katerina)" by Dmitri Shostakovich, Eijiro Kai, Wolfram Igor Derntl, Franz Xaver Gruber, Jens Musger, Kurt Rydl, Nadia Krasteva, Dan Paul Dumitrescu, Marian Talaba, Angela Denoke, Sophie Marilley, Vienna State Opera Chorus, Misha Didyk, Vienna State Opera Orchestra, Donna Ellen, Michael Roider, Hans Peter Kammerer, Markus Pelz, Gerhard Reiterer, Oleg Zalytskiy, Martin Müller, Thomas Kober, Janusz Monarcha, Ingo Metzmacher had its release date on January 1, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 29 in the song's album "Shostakovich: Ledi Makbet Mtsenskogo uyezda (Lady Macbeth of the Mtsensk District), Op. 29". In this album, this song's track order is #1. Ledi Makbet Mtsenskogo uyezda, Op. 29, Act I: Act I: Akh, nye spitsa bol'she, poprobuyu (Katerina) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ledi Makbet Mtsenskogo uyezda, Op. 29, Act I: Act I: Akh, nye spitsa bol'she, poprobuyu (Katerina) by Dmitri Shostakovich, Eijiro Kai, Wolfram Igor Derntl, Franz Xaver Gruber, Jens Musger, Kurt Rydl, Nadia Krasteva, Dan Paul Dumitrescu, Marian Talaba, Angela Denoke, Sophie Marilley, Vienna State Opera Chorus, Misha Didyk, Vienna State Opera Orchestra, Donna Ellen, Michael Roider, Hans Peter Kammerer, Markus Pelz, Gerhard Reiterer, Oleg Zalytskiy, Martin Müller, Thomas Kober, Janusz Monarcha, Ingo Metzmacher having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shostakovich: Suite from the Age of Gold, Op. 22: II. Polka | Dmitri Shostakovich, Orchestre Philharmonique de Radio France, Paavo Järvi | D Minor | 1 | 7A | 91 BPM | ||
String Quartet No. 8 in C Minor, Op. 110: 2. Allegro molto | Dmitri Shostakovich, Borodin Quartet | G Major | 5 | 9B | 126 BPM | ||
Five pieces for Two Violins and Piano: IV. Waltz- Tempo di Valse. Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | G Minor | 0 | 6A | 140 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Peer Gynt Suite No.1, Op.46: 2. The Death Of Aase | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 45 BPM | ||
Chamber Symphony in C Minor, Op. 110a (arr. R. Barshai from String Quartet No. 8 for orchestra): III. Allegretto | Rudolf Barshai, Dmitri Shostakovich, Capella Istropolitana, Pawel Przytocki | C Minor | 2 | 5A | 114 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: 1. Molto allegro con fuoco | Felix Mendelssohn, Jan Lisiecki, Orpheus Chamber Orchestra | A♭ Major | 2 | 4B | 80 BPM | ||
Prokofiev: Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets (Excerpt) | Sergei Prokofiev, Philadelphia Orchestra, Riccardo Muti | A Minor | 3 | 8A | 108 BPM |