Wolfgang Amadeus Mozart, Donna Brown, Cornelia Kallisch, Roberto Sacca, Alastair Miles, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling's 'Handel - Messiah, K. 572 (Sung in German): Overture' came out on January 1, 2000. The duration of Handel - Messiah, K. 572 (Sung in German): Overture is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Handel - Messiah, K. 572 (Sung in German): Overture's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart's "Handel: Messiah - Arranged by W.A. Mozart" album is number 1 out of 54. On top of that, Germany appears to be the country where this track was created. Handel - Messiah, K. 572 (Sung in German): Overture is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Handel - Messiah, K. 572 (Sung in German): Overture by Wolfgang Amadeus Mozart, Donna Brown, Cornelia Kallisch, Roberto Sacca, Alastair Miles, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wachet auf, ruft uns die Stimme, Cantata BWV 140: No. 1 Chor: "Wachet auf, ruft uns die Stimme" | Johann Sebastian Bach, Anthony Robson, Richard Earle, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 180 BPM | ||
Violin Concerto in C-Sharp Minor, Op. 2: II. Adagio | Franz Berwald, Tobias Ringborg, Swedish Chamber Orchestra, Niklas Willen | E Major | 1 | 12B | 79 BPM | ||
Weihnachts-Oratorium, BWV 248, Pt. 2: Sinfonia | Johann Sebastian Bach, Mainz Bach Orchestra, Ralf Otto | F Major | 2 | 7B | 158 BPM | ||
Torelli: Trumpet Concerto in D Major, G. 28 "Estienne Roger": I. Allegro | Giuseppe Torelli, Alison Balsom, Deutsche Kammerphilharmonie Bremen | D Major | 3 | 10B | 102 BPM | ||
Concerto grosso in C Major, Op. 3 No. 12 "Pastorale per il santissimo natale (Christmas Pastorale)": II. Largo | Francesco Onofrio Manfredini, Radio-Symphonieorchester Stuttgart, García Navarro | A Minor | 2 | 8A | 61 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Concerto For Oboe In D Minor: I. Andante e spiccato | Alessandro Marcello, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 71 BPM | ||
Messiah, HWV 56, Pt. 1: "Ev'ry Valley Shall Be Exalted" | George Frideric Handel, John Mark Ainsley, Choir of King's College, Cambridge, Brandenburg Consort, Stephen Cleobury | D Major | 0 | 10B | 129 BPM | ||
Frost | Gabríel Ólafs | D Major | 0 | 10B | 112 BPM | ||
Magnificat in D Major, BWV 243: Gloria Patri (Chorus, Soprano, Alto, Tenor, Bass) | Johann Sebastian Bach, Christine Schäfer, Ibolya Verebics, Ingeborg Danz, James Taylor, Thomas Quasthoff, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | D Major | 4 | 10B | 81 BPM |