Tasmanian Symphony Orchestra, Johannes Fritzsch, Melbourne Symphony Orchestra, Benjamin Northey, Basil Holmes, Tom Usher, Frank Parker, William Tope, Harry Benson, Neville Richard, J.M. Grant, Jack Nicholson, Dick Gardiner's 'Life on Gallipoli (Elegy ‘In memoriam Rupert Brooke, Loch Lomond, Bushes and Briars – Excerpts)' came out on April 3, 2015. Since Life on Gallipoli (Elegy ‘In memoriam Rupert Brooke, Loch Lomond, Bushes and Briars – Excerpts) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 12 in Anzac Voices: Gallipoli From Those Who Were There by Various Artists. Life on Gallipoli (Elegy ‘In memoriam Rupert Brooke, Loch Lomond, Bushes and Briars – Excerpts) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Life on Gallipoli (Elegy ‘In memoriam Rupert Brooke, Loch Lomond, Bushes and Briars – Excerpts) by Tasmanian Symphony Orchestra, Johannes Fritzsch, Melbourne Symphony Orchestra, Benjamin Northey, Basil Holmes, Tom Usher, Frank Parker, William Tope, Harry Benson, Neville Richard, J.M. Grant, Jack Nicholson, Dick Gardiner is Adagio (slowly with great expression), since this song has a tempo of 72 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio in G Minor | Tomaso Albinoni, Vladimir Fedoseyev, Moscow RTV Symphony Orchestra | A Minor | 0 | 8A | 129 BPM | ||
Chanson de nuit, Op.15 No.1 | Edward Elgar, Hallé, Sir Mark Elder | G Major | 0 | 9B | 80 BPM | ||
Concerto in D Major, RV93: 2. Largo (Arr. Siegfried Behrend) | Antonio Vivaldi, Siegfried Behrend, Benjamin Northey, Slava Grigoryan, Tasmanian Symphony Orchestra | E♭ Major | 1 | 5B | 75 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Scenes from Childhood, Op. 15: VII. Träumerei | Hugo Gorka | F Major | 0 | 7B | 65 BPM | ||
8 Russian Folksongs, Op.58: 5. Legend of the Birds | Anatoly Lyadov, Shalom Ronly-Riklis, Tasmanian Symphony Orchestra | D Minor | 0 | 7A | 124 BPM | ||
4 Pieces: No. 3. Arietta | Aarre Merikanto, Janne Marttila, Tampere Philharmonic Orchestra, Tuomas Ollila-Hannikainen | E Minor | 0 | 9A | 88 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | ||
La Fille aux cheveux de lin, L. 117, No. 8 | Claude Debussy, Isaac Stern, Frank Brieff, Columbia Symphony Orchestra | G Major | 1 | 9B | 63 BPM |