David Conte, Tim Krol, Chad Runyon, San Francisco New Music Ensemble, Nicole Paiement's 'The Gift of the Magi: Scene 3: Della, I'm back! Della, Della? (Jim, Henry)' came out on March 1, 2015. The duration of The Gift of the Magi: Scene 3: Della, I'm back! Della, Della? (Jim, Henry) is about 3 minutes long, at 3:21. Based on our data, "The Gift of the Magi: Scene 3: Della, I'm back! Della, Della? (Jim, Henry)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 28 in Conte: The Gift of the Magi by David Conte, Aimée Puentes, Elena Bocharova, Tim Krol, Chad Runyon, Nicole Paiement. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, The Gift of the Magi: Scene 3: Della, I'm back! Della, Della? (Jim, Henry)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Gift of the Magi: Scene 3: Della, I'm back! Della, Della? (Jim, Henry) by David Conte, Tim Krol, Chad Runyon, San Francisco New Music Ensemble, Nicole Paiement is Allegro (fast, quick, and bright), since this song has a tempo of 126 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Shakespeare Choruses, Op. 39: No. 1. Over hill, over dale | Amy Beach, Jessica Petrus, Amanda Sidebottom, Derek Greten-Harrison, Heather Petrie, Etherea Vocal Ensemble | D Major | 1 | 10B | 99 BPM | ||
Requiem, Op. 9: IV. Sanctus | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | B♭ Major | 0 | 6B | 131 BPM | ||
Piano Trio: III. Rondo | David Conte, Kay Stern, Emil Miland, Keisuke Nakagoshi | E♭ Minor | 2 | 2A | 112 BPM | ||
In Remembrance | Eleanor Daley, Atlanta Master Chorale | E Major | 1 | 12B | 107 BPM | ||
Missa Maria Magdalena: Agnus Dei | Stellan Sagvik, Annika Skoglund, Olle Persson, Hannah Holgersson, Carl Unander-Scharin, Staffan Alveteg, Bjorn Blomberg, Liselotte Lindgren, Maria Magdalena Motet Choir, Stockholm Chamber Choir, Ralph Gustafsson, Mathias Kjellgren, Stockholm Saxophone Quartet, Ragnar Bohlin | D Major | 1 | 10B | 86 BPM | ||
Cor Mundum Crea in Me Deus | Cincinnati Choral Society, Howard Helvey | B♭ Major | 2 | 6B | 69 BPM | ||
Passion Week, Op. 58: II. I See Thy Bridal Chamber | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | A♭ Minor | 1 | 1A | 70 BPM | ||
Rückert Lieder: V. Ich bin der Welt abhanden gekommen (Transcr. Gottwald for Choir) | Gustav Mahler, SWR Vokalensemble Stuttgart, Marcus Creed | F♯ Minor | 4 | 11A | 107 BPM | ||
Requiem, Op. 9: I. Introit | Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra | E♭ Major | 2 | 5B | 122 BPM | ||
Pinsesalme | Edvard Grieg, Choir of Clare College, Cambridge, Graham Ross | E♭ Major | 0 | 5B | 173 BPM |