Erik Satie, Alexandre Tharaud's 'Le Piège de Méduse, Sept pièces pour piano: Le Piège de Méduse, Sept pièces pour piano: VI. Polka' came out on January 20, 2009. With Le Piège de Méduse, Sept pièces pour piano: Le Piège de Méduse, Sept pièces pour piano: VI. Polka being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 77 in the song's album "Satie: Avant-dernières pensées (Bonus Track Version)". In this album, this song's track order is #23. Le Piège de Méduse, Sept pièces pour piano: Le Piège de Méduse, Sept pièces pour piano: VI. Polka is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Le Piège de Méduse, Sept pièces pour piano: Le Piège de Méduse, Sept pièces pour piano: VI. Polka by Erik Satie, Alexandre Tharaud having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 8 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 64 BPM | ||
Pictures at an Exhibition: The Great Gate of Kiev. Allegro Alla Breve. Maestoso. Con grandezza | Modest Mussorgsky, Ivo Pogorelich | E♭ Major | 2 | 5B | 112 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 10 in C Sharp Minor | Alexander Scriabin, Mikhail Pletnev | D♭ Minor | 0 | 12A | 113 BPM | ||
Venezia e Napoli, S. 162: Supplément aux Années de pèlerinage II: I. Gondoliera | Franz Liszt, Lazar Berman | F♯ Major | 0 | 2B | 89 BPM | ||
Nocturne No. 3 in A-Flat Major | John Field, Benjamin Frith | A♭ Major | 0 | 4B | 70 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
6 Favoritwalzer: No. 4, J. 146 | Carl Maria von Weber, Michael Endres | A Major | 1 | 11B | 138 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Lyric Pieces Book VIII, Op. 65: No. 5 In Ballad Vein | Edvard Grieg, Emil Gilels | C Minor | 0 | 5A | 135 BPM |