"Piano Concerto No. 9 in G Minor, Op. 177: II. Larghetto con moto" by Ferdinand Ries, Christopher Hinterhuber, New Zealand Symphony Orchestra, Uwe Grodd was released on November 6, 2012. Since Piano Concerto No. 9 in G Minor, Op. 177: II. Larghetto con moto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Ries: Piano Concertos Vol. 5". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Piano Concerto No. 9 in G Minor, Op. 177: II. Larghetto con moto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 9 in G Minor, Op. 177: II. Larghetto con moto by Ferdinand Ries, Christopher Hinterhuber, New Zealand Symphony Orchestra, Uwe Grodd having a テンポ of 93 with a half-time of 46 テンポ and a double-time of 186 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
ピアノ・ソナタ 第1番 ヘ短調 作品2-1 第二楽章 | Irina Mejoueva | F Major | 0 | 7B | 75 BPM | ||
Variations on a Theme by Rode "La Ricordanza", Op. 33: Var. IV: Sostenuto | Carl Czerny, Lucas Thomazinho | E♭ Major | 0 | 5B | 67 BPM | ||
Impressions | Christian Desire Langlade, Saint-Preux | B♭ Major | 2 | 6B | 115 BPM | ||
25の練習曲作品100 第24曲 つばめ | Franz Burgmüller, Rintaro Akamatsu | D Major | 1 | 10B | 139 BPM | ||
Beethoven: Symphony No. 2 in D Major, Op. 36: I. (a) Adagio molto - | Ludwig van Beethoven, Wolfgang Sawallisch, Royal Concertgebouw Orchestra | D Major | 0 | 10B | 112 BPM | ||
Etudes for Piano, Op. 740: No. 11 in F Major | Carl Czerny, Irina Smorodinova | F Minor | 1 | 4A | 117 BPM | ||
Haydn: The Seven Last Words of Christ, Hob. XX:1: Sonata I. "Pater, dimitte illis, quia nesciunt, quid faciunt" | Joseph Haydn, Sir Neville Marriner, Academy of St. Martin in the Fields | G Minor | 3 | 6A | 115 BPM | ||
Divertissement, Vorstellungen 1803: Introduzione | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
Mélodie in A-Flat Major | Louise Farrenc, Joanne Polk | A♭ Major | 1 | 4B | 68 BPM | ||
Violin Sonata No. 10 in G Major, Op. 96: II. Adagio espressivo | Ludwig van Beethoven, Antje Weithaas, Dénes Várjon | G Major | 1 | 9B | 180 BPM |