The Knights, Johnny Gandelsman, Adam Hollander made "Bach, JS: Concerto for Oboe and Violin in C Minor, BWV 1060R: I. Allegro" available on January 27, 2015. With this song being about 5 minutes long, at 4:41, "Bach, JS: Concerto for Oboe and Violin in C Minor, BWV 1060R: I. Allegro" by The Knights, Johnny Gandelsman, Adam Hollander is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "the ground beneath our feet". In this album, this song's track order is #2. In terms of popularity, Bach, JS: Concerto for Oboe and Violin in C Minor, BWV 1060R: I. Allegro is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Bach, JS: Concerto for Oboe and Violin in C Minor, BWV 1060R: I. Allegro by The Knights, Johnny Gandelsman, Adam Hollander having a テンポ of 99 with a half-time of 50 テンポ and a double-time of 198 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
String Quartet No. 2 in D Major: III. Nocturne. Andante (Arr. for Violin & Orchestra) | Alexander Borodin, Frank Brieff, Isaac Stern, Columbia Symphony Orchestra | A Major | 2 | 11B | 102 BPM | ||
Après un Rêve Op.7, No.1 | Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 1 | 4A | 96 BPM | ||
Harmonies des bois, Op. 76: II. Les larmes de Jacqueline | Jacques Offenbach, Camille Thomas, Orchestre National de Lille, Alexandre Bloch | C Major | 0 | 8B | 84 BPM | ||
Concerto in B-flat Major for Cello, Strings and Basso continuo, RV 423: I. Allegro | Antonio Vivaldi, Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | A Major | 2 | 11B | 114 BPM | ||
Dark | Shanir Blumenkranz, Johnny Gandelsman, Dana Lyn, Michael Nicolas | C Major | 2 | 8B | 90 BPM | ||
Symphony in F Major, J-C 36: II. Andante | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 102 BPM | ||
Situation Station (feat. The Knights) | Christina Courtin, The Knights | F Major | 5 | 7B | 91 BPM | ||
Starburst (Arr. for Chamber Ensemble by Jannina Norpoth) | Jessie Montgomery, The Knights | C Major | 0 | 8B | 82 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM |