"Mass in D Major, Op. 123, "Missa Solemnis": Kyrie: Christe eleison" by Ludwig van Beethoven, Pamela Coburn, Florence Quivar, Aldo Baldin, Andreas Schmidt, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling was released on January 1, 2007. With Mass in D Major, Op. 123, "Missa Solemnis": Kyrie: Christe eleison being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 26 in Beethoven: Missa Solemnis, Op. 123 by Ludwig van Beethoven. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Mass in D Major, Op. 123, "Missa Solemnis": Kyrie: Christe eleison is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass in D Major, Op. 123, "Missa Solemnis": Kyrie: Christe eleison by Ludwig van Beethoven, Pamela Coburn, Florence Quivar, Aldo Baldin, Andreas Schmidt, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling is Andante (at a walking pace), since this song has a tempo of 89 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice: Act II, Scene 1, Ballo e Aria con Coro: Deh! Placatevi con me | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | E♭ Major | 1 | 5B | 179 BPM | ||
Ode for the Birthday of Queen Anne: Ode for the Birthday of Queen Anne: I. Solo "Eternal source of light divine" | George Frideric Handel, Akademie für Alte Musik Berlin, Andreas Scholl, Marcus Creed | D♭ Major | 1 | 3B | 85 BPM | ||
Paulus (St. Paul), Op. 36, MWV A14: Fugue: Der Erdkreis ist nun des Herrn (Chorus) | Felix Mendelssohn, Juliane Banse, Ingeborg Danz, Michael Schade, Andreas Schmidt, Gächinger Kantorei Stuttgart, Prague Chamber Chorus, Czech Philharmonic Orchestra, Helmuth Rilling | B♭ Major | 2 | 6B | 84 BPM | ||
Cello Concerto No. 1 in G Major: III. Rondo: Allegro | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | G Major | 1 | 9B | 137 BPM | ||
Tantum ergo in E-Flat Major, D. 962 | Franz Schubert, Barbara Bonney, Dalia Schaechter, Jorge Pita, Andreas Schmidt, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper | B♭ Major | 1 | 6B | 82 BPM | ||
Mass No. 1 in D Minor, WAB 26: Kyrie | Anton Bruckner, Luba Orgonasova, Bernarda Fink, Christoph Prégardien, The Monteverdi Choir, Wiener Philharmoniker, John Eliot Gardiner | D Minor | 0 | 7A | 124 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Strauss, R: 5 Lieder, Op. 48: IV. Winterweihe | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | B♭ Major | 1 | 6B | 72 BPM | ||
Te Deum in C Major, WAB 45: 4. Salvum fac | Anton Bruckner, Magdaléna Hajóssyová, Rosemarie Lang, Peter-Jurgen Schmidt, Hermann Christian Polster, Rundfunkchor Berlin, Rundfunk Sinfonieorchester Berlin, Heinz Rögner | F Minor | 0 | 4A | 68 BPM | ||
Die Schopfung (The Creation), Hob.XXI:2: Aria: Auf starkem Fittige (Soprano) | Franz Joseph Haydn, Christine Schäfer, Michael Schade, Andreas Schmidt, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | F Major | 0 | 7B | 131 BPM |