Francesco Geminiani, Bruno Cocset, Luca Pianca, Les Basses Réunies's 'Cello Sonata No. 3 in C major, H. 105: I. Andante' came out on 2006. With Cello Sonata No. 3 in C major, H. 105: I. Andante being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Francesco Geminiani, Bruno Cocset, Luca Pianca, Les Basses Réunies's "Geminiani: Sonates pour violoncelle avec la basse continue" album is number 1 out of 29. On top of that, France appears to be the country where this track was created. The popularity of Cello Sonata No. 3 in C major, H. 105: I. Andante is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cello Sonata No. 3 in C major, H. 105: I. Andante by Francesco Geminiani, Bruno Cocset, Luca Pianca, Les Basses Réunies to be Vivace (lively and fast) because the track has a tempo of 175 テンポ, a half-time of 88テンポ, and a double-time of 350 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Telemann: Concerto for four violins - Allegro | Charivari Agréable | F♯ Major | 1 | 2B | 131 BPM | ||
Sonata for 2 Recorders and Basso Continuo in D Minor: III. Affetuoso | Giuseppe Sammartini, Dan Laurin, Parnassus Avenue | A Major | 1 | 11B | 103 BPM | ||
Quartet in G Major: II. Allegro ma non troppo | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 144 BPM | ||
Trio Sonata in F Major, W. VII:3, B. 12: I. Allegro | Johann Christoph Friedrich Bach, London Baroque | A Major | 1 | 11B | 98 BPM | ||
Bach: Concerto in D Minor for Violin and Oboe, BWV 1060: III. Allegro | Johann Sebastian Bach, Emerald Ensemble, Roger Huckle, Imogen Triner | E♭ Minor | 1 | 2A | 69 BPM | ||
Keyboard Concerto in G Minor, BWV 1058: II. Andante | Johann Sebastian Bach, Gerald Hambitzer, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B♭ Major | 0 | 6B | 81 BPM | ||
Concerto a cinque No. 5, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A♭ Minor | 1 | 1A | 97 BPM | ||
Concerto 5 in A Minor, Op. 7: III. Allegro assai | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | B♭ Minor | 2 | 3A | 118 BPM | ||
Concerto in D Minor for Oboe, Strings and Basso continuo: I. Andante e spiccato | Alessandro Marcello, Frans Brüggen, L'arpa Festante | D♭ Minor | 0 | 12A | 115 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 2, HWV 313: I. Vivace | George Frideric Handel, Iona Brown, Jonathan Rees, Academy of St. Martin in the Fields | E Minor | 0 | 9A | 106 BPM |