Anonymous, Frances Kelly, Elizabeth Kenny, Theatre of Early Music made "Zouch his march" available on January 1, 2005. The duration of Zouch his march is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Zouch his march's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Theatre Of Early Music: Love Bade Me Welcome - Songs and Poetry From the Renaissance". In this album, this song's track order is #14. Based on our statistics, Zouch his march's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Zouch his march by Anonymous, Frances Kelly, Elizabeth Kenny, Theatre of Early Music having a テンポ of 123 with a half-time of 62 テンポ and a double-time of 246 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sit Gloria Domini | Schola Gregoriana Mediolanensis & Giovanni Vianini | D Major | 1 | 10B | 135 BPM | ||
Pax in nomine domini! | Marcabru, Nigel Rogers, Early Music Consort Of London, David Munrow | E Minor | 1 | 9A | 170 BPM | ||
Somma: Ave Maria | Bonaventura Somma, Schola Cantorum San Daniele, Angelo Zanatta, Donato Cuzzato | A♭ Major | 1 | 4B | 87 BPM | ||
Nos Auten. Introito (Modo IV) - 1980 Remastered Version | Anonymous, Coro De Monjes Del Monasterio De Silos | F♯ Major | 1 | 2B | 80 BPM | ||
Agnus Dei | Probandi Benedittini Di San Giovanni In Parma | F Major | 1 | 7B | 76 BPM | ||
Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
Can vei la lauzeta mover | Bernat De Ventadorn, Millenarium | D Major | 1 | 10B | 185 BPM | ||
Office des laudes : Respons vidi angelum | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | F♯ Major | 0 | 2B | 128 BPM | ||
Cantigas de Santa Maria, No. 60: Entre Av'e Eva | Alfonso X El Sabio, Esther Lamandier | F Major | 1 | 7B | 84 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: III. Come, Let Us Worship | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM |