"Stabat Mater, Op. 53: I. Stabat mater dolorosa / Stala matka bolejaca: Andante mesto" by Karol Szymanowski, Jadwiga Gadulanka, Andrzej Hiolski, Krystyna Szostek Radkowa, Jan Wojtacha, Polish State Philharmonic Chorus (Katowice), Polish State Philharmonic Orchestra, Katowice, Karol Stryja was released on July 21, 2000. Since Stabat Mater, Op. 53: I. Stabat mater dolorosa / Stala matka bolejaca: Andante mesto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Szymanowski: Stabat Mater / Veni Creator / Litania". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. Stabat Mater, Op. 53: I. Stabat mater dolorosa / Stala matka bolejaca: Andante mesto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater, Op. 53: I. Stabat mater dolorosa / Stala matka bolejaca: Andante mesto by Karol Szymanowski, Jadwiga Gadulanka, Andrzej Hiolski, Krystyna Szostek Radkowa, Jan Wojtacha, Polish State Philharmonic Chorus (Katowice), Polish State Philharmonic Orchestra, Katowice, Karol Stryja having a テンポ of 71 with a half-time of 36 テンポ and a double-time of 142 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aria, Op. 9 | Mieczysław Weinberg, Deutsche Kammerphilharmonie Bremen, Mirga Gražinytė-Tyla | B♭ Major | 1 | 6B | 103 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Bagatelle, Op. 1: No. 1, Allegretto | Valentin Silvestrov, Natalya Pasichnyk | E♭ Major | 0 | 5B | 72 BPM | ||
12 Etudes, Op. 33: I. Presto | Karol Szymanowski, Cédric Tiberghien | B Major | 1 | 1B | 73 BPM | ||
Sonata in B Minor, K.87 | Domenico Scarlatti, Vladimir Horowitz | B Minor | 0 | 10A | 76 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Elegies BV 249: VII. Berceuse | Ferruccio Busoni, Igor Levit | C Major | 0 | 8B | 67 BPM | ||
4 Polish Dances: II. Poland V: Krakowiak | Karol Szymanowski, Martin Roscoe | F Major | 0 | 7B | 65 BPM | ||
Piano Piece No. 23 | Giya Kancheli, Anna Gourari | F Major | 0 | 7B | 162 BPM | ||
Suite for Two Pianos, Op. 6: II. Andantino con moto | Charles Koechlin, Tal & Groethuysen | F Minor | 0 | 4A | 192 BPM |