Johann Strauss II, Julia Varady, René Kollo, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber's 'Die Fledermaus / Act 3: Nr.15 Terzett: "Ich stehe voll Zagen"' came out on January 1, 1976. Since Die Fledermaus / Act 3: Nr.15 Terzett: "Ich stehe voll Zagen" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 37 in the song's album "Strauss: Die Fledermaus". In this album, this song's track order is #23. In terms of popularity, Die Fledermaus / Act 3: Nr.15 Terzett: "Ich stehe voll Zagen" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Die Fledermaus / Act 3: Nr.15 Terzett: "Ich stehe voll Zagen" by Johann Strauss II, Julia Varady, René Kollo, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber having a テンポ of 100 with a half-time of 50 テンポ and a double-time of 200 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Falstaff / Act 1: L'Onore! Ladri! | Giuseppe Verdi, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | C Major | 2 | 8B | 167 BPM | ||
Cavalleria rusticana: "Fior di giaggiolo" | Pietro Mascagni, Carmen Gonzales, Luciano Pavarotti, Julia Varady, National Philharmonic Orchestra, Gianandrea Gavazzeni | B♭ Major | 1 | 6B | 176 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Gloria sit Patri Domino" | Gustav Mahler, Heather Harper, Lucia Popp, Helen Watts, Yvonne Minton, René Kollo, John Shirley-Quirk, Martti Talvela, Wiener Singverein, Vienna Boys' Choir, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti | E♭ Major | 5 | 5B | 102 BPM | ||
49 Deutsche Volkslieder, WoO 33: No. 24. Mir ist ein schons brauns Maidelein | Johannes Brahms, Hermann Prey, Geoffrey Parsons | G Major | 1 | 9B | 71 BPM | ||
Tosca: Tosca, Act II: Vissi d'arte | Giacomo Puccini, Julia Varady, Berlin Radio Symphony Orchestra, Marcello Viotti | D Major | 1 | 10B | 135 BPM | ||
Il Trovatore / Act 3: "Or co' dadi" | Giuseppe Verdi, Nicolai Ghiaurov, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | C Major | 2 | 8B | 158 BPM | ||
Parsifal / Act 3: Du siehst, das ist nicht so (Gurnemanz, Parsifal) | Richard Wagner, Peter Hofmann, Kurt Moll, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 87 BPM | ||
Il barbiere di Siviglia / Act 1: "Ma signor..." "Zitto tu!" | Gioachino Rossini, Stefania Malagu, Teresa Berganza, Luigi Alva, Enzo Dara, Hermann Prey, Paolo Montarsolo, Luigi Roni, Ambrosian Opera Chorus, London Symphony Orchestra, Claudio Abbado | C Major | 4 | 8B | 95 BPM | ||
Die Fledermaus / Act 1: Dialog: Täubchen, das entflattert ist | Johann Strauss II, René Kollo, Lucia Popp, Julia Varady | A♭ Major | 1 | 4B | 103 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Blicket auf zum Retterblick" | Gustav Mahler, René Kollo, Wiener Singverein, Vienna State Opera Chorus, Vienna Boys' Choir, Chicago Symphony Orchestra, Sir Georg Solti | D Major | 2 | 10B | 99 BPM |