John Lanchbery, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden's 'Tales of Beatrix Potter - Music from the Royal Ballet film: The Tale of Two Bad Mice' came out on 1971. Since Tales of Beatrix Potter - Music from the Royal Ballet film: The Tale of Two Bad Mice is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in John Lanchbery, Orchestra of the Royal Opera House, Covent Garden's "Lanchbery: Tales of Beatrix Potter" album is number 1 out of 8. Based on our statistics, Tales of Beatrix Potter - Music from the Royal Ballet film: The Tale of Two Bad Mice's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tales of Beatrix Potter - Music from the Royal Ballet film: The Tale of Two Bad Mice by John Lanchbery, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden to be Allegro (fast, quick, and bright) because the track has a tempo of 145 テンポ, a half-time of 72テンポ, and a double-time of 290 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Act III: Pas De Deux (Kitri & Basil) (Minkus) | Mariinsky Orchestra | C Major | 2 | 8B | 182 BPM | ||
Ein Sommernachtstraum, Op. 61, MWV M13: Act II: Entr'acte: Scherzo | Felix Mendelssohn, Slovak Philharmonic, Anthony Bramall | F Major | 1 | 7B | 60 BPM | ||
The Two Pigeons Act 1 | André Messager, John Lanchbery, Royal Ballet Sinfonia, Barry Wordsworth | F Major | 1 | 7B | 117 BPM | ||
Act III: Variation II La fee Argent | Moscow New Philharmonic Orchestra, Vladimir Ponkin | A♭ Major | 1 | 4B | 115 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Messager: The Two Pigeons, Act 1: Dance of the Gypsies | André Messager, Bournemouth Symphony Orchestra, John Lanchbery | A♭ Major | 0 | 4B | 130 BPM | ||
Coppélia: Galop final | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden | E♭ Major | 3 | 5B | 79 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Dance | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | B♭ Major | 3 | 6B | 124 BPM | ||
Alla polacca (No 8 from A Month in the Country) - 2008 Remaster | Frédéric Chopin, John Lanchbery, Orchestra of the Royal Opera House, Covent Garden | B♭ Major | 3 | 6B | 85 BPM | ||
Adam & Drigo: Le Corsaire: Pas-de-deux - No. 3, Variation 2 (Allegro) | Adolphe Adam, Riccardo Drigo, London Festival Ballet Orchestra, Terence Kern | F Major | 1 | 7B | 104 BPM |