Joseph Haydn, David Thomas/City of Birmingham Symphony Orchestra/Sir Simon Rattle, David Thomas, Sir Simon Rattle, City Of Birmingham Symphony Orchestra made "Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 21, Recitative. "Straight opening her fertile womb" (Raphael)" available on March 11, 1991. The duration of Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 21, Recitative. "Straight opening her fertile womb" (Raphael) is about 3 minutes long, at 3:01. Based on our data, "Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 21, Recitative. "Straight opening her fertile womb" (Raphael)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Sir Simon Rattle's "Haydn: The Creation" album is number 2 out of 38. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 21, Recitative. "Straight opening her fertile womb" (Raphael) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 21, Recitative. "Straight opening her fertile womb" (Raphael) by Joseph Haydn, David Thomas/City of Birmingham Symphony Orchestra/Sir Simon Rattle, David Thomas, Sir Simon Rattle, City Of Birmingham Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 109 テンポ, a half-time of 54テンポ, and a double-time of 218 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Symphony No. 44 in E Minor, Hob.I:44, "Trauersinfonie" (Mourning): II. Menuet and trio | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | D Major | 2 | 10B | 136 BPM | ||
Berceuse in D-Flat Major, Op. 57 | Frédéric Chopin, Maurizio Pollini | D♭ Major | 1 | 3B | 69 BPM | ||
12 Violin Concertos, Op.9 - "La cetra" / Concerto No. 8 in D minor, RV238: 2. Largo | Antonio Vivaldi, Felix Ayo, Enzo Altobelli, Maria Teresa Garatti, I Musici | D Minor | 1 | 7A | 0 BPM | ||
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: III. Rondo: Amabile | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | F Major | 1 | 7B | 97 BPM | ||
Der Fischer und das Milchmädchen: IXb. Andantino pastorale | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Piano Concerto in A Minor, Op. 54: II. Intermezzo (Andantino grazioso) | Robert Schumann, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 70 BPM | ||
Variations on a Rococo Theme, Op. 33 for cello and orchestra: Moderato assai quasi Andante - Thema: Moderato semplice | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, Jiří Bělohlávek, BBC Symphony Orchestra | F♯ Minor | 0 | 11A | 109 BPM | ||
String Quintet in E Major, G. 275: III. Menuetto | Luigi Boccherini, Orpheus Chamber Orchestra | A Major | 0 | 11B | 112 BPM | ||
String Quintet In C, D. 956: 4. Allegretto | Franz Schubert, Mstislav Rostropovich, Emerson String Quartet | G Major | 1 | 9B | 97 BPM |