"Candide / Act I: 12. Glitter And Be Gay" by Leonard Bernstein, Richard Wilbur, June Anderson, London Symphony Orchestra was released on January 1, 1991. Since Candide / Act I: 12. Glitter And Be Gay is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 15 out of 34 in Bernstein: Candide by Leonard Bernstein, London Symphony Orchestra. Based on our statistics, Candide / Act I: 12. Glitter And Be Gay's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Candide / Act I: 12. Glitter And Be Gay by Leonard Bernstein, Richard Wilbur, June Anderson, London Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 149 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alexander Nevsky, Op. 78: VI. Field Of The Dead | Sergei Prokofiev, Elena Obraztsova, London Symphony Orchestra, Claudio Abbado | C Minor | 0 | 5A | 77 BPM | ||
Die Fledermaus / Act 3: Nr.14 Couplets: "Spiel' ich die Unschuld vom Lande" | Johann Strauss II, Lucia Popp, Evi List, Benno Kusche, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 102 BPM | ||
Le nozze di Figaro / Act 1: "Non so più cosa son, cosa faccio" | Wolfgang Amadeus Mozart, Cecilia Bartoli, Vienna Chamber Orchestra, György Fischer | E♭ Major | 1 | 5B | 77 BPM | ||
Reenah | Anonymous, Leonard Bernstein, Rochester Singers, Samuel Adler | D♭ Major | 1 | 3B | 109 BPM | ||
Carmen, Act I, No.4 Choeur des Cigarières: Mais nous ne voyons pas la Carmencita!...Quand je vous aimerai? (Jeunes gens/Dragons/Cigarières/Carmen) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | F Minor | 1 | 4A | 107 BPM | ||
Wiegenlied | Johannes Brahms, Bryn Terfel, London Symphony Orchestra, Barry Wordsworth | E♭ Major | 1 | 5B | 69 BPM | ||
Lieder eines fahrenden Gesellen: Die zwei blauen Augen von meinem Schatz - Live | Gustav Mahler, Thomas Hampson, Wiener Philharmoniker, Leonard Bernstein | C Major | 0 | 8B | 118 BPM | ||
Mass: VIII. Epistle: "The Word of The Lord" - Live | Leonard Bernstein, Kevin Vortmann, Lyn Philistine, Devin Ilaw, Kent Overshown, Sarah Uriarte Berry, Philadelphia Orchestra, Yannick Nézet-Séguin, Street Chorus Cast | E♭ Major | 1 | 5B | 167 BPM | ||
La fille du régiment / Act 1: La la la ...chacum le sait, chacun le dit | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Spiro Malas, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 2 | 7B | 180 BPM | ||
The Mikado / Act 1: 11. So Please You, Sir, We Much Regret | Arthur Sullivan, Valerie Masterson, Pauline Wales, Peggy Ann Jones, Kenneth Sandford, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | D Major | 3 | 10B | 116 BPM |