Moscow Symphony Orchestra, William T. Stromberg, Max Steiner, John Morgan's 'The Son Of Kong: The Styracosaur' came out on March 12, 2001. With The Son Of Kong: The Styracosaur being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Moscow Symphony Orchestra's "Max Steiner: The Son Of Kong / The Most Dangerous Game (Music Reconstrucion John W. Morgan)" album is number 11 out of 32. In terms of popularity, The Son Of Kong: The Styracosaur is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Son Of Kong: The Styracosaur by Moscow Symphony Orchestra, William T. Stromberg, Max Steiner, John Morgan to be Moderato (at a moderate speed) because the track has a tempo of 117 テンポ, a half-time of 58テンポ, and a double-time of 234 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Broken Strings | Georgy Apollonovich Gapon, First Separate Exemplary Orchestra of USSR Defense Ministry, Nikolai Nazarov | G Minor | 1 | 6A | 104 BPM | ||
Symphony No. 1 in E Major, Op. 26: V. Allegro | Alexander Scriabin, Mikhail Agafonov, Lyudmila Ivanova, Moscow Capella, Moscow Symphony Orchestra, Igor Golovschin | C Major | 0 | 8B | 77 BPM | ||
Waltz Suite, Op. 110: III. Mephisto Waltz (from Lermontov) | Sergei Prokofiev, Orquestra Sinfônica Do Estado De São Paulo, Marin Alsop | D Minor | 1 | 7A | 97 BPM | ||
Maskerade-Suite: II. Nocturne | Aram Khachaturian, Moscow Symphony Orchestra, Veronika Dudarova | A Major | 1 | 11B | 103 BPM | ||
Symphony No. 5, "concertante, in eco": III. Allegro vivace ma ritmato | Gian Francesco Malipiero, Moscow Symphony Orchestra, Antonio de Almeida | G Major | 2 | 9B | 120 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: Ouverture | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Major | 1 | 8B | 71 BPM | ||
Masquerade Suite: Maskarad (Masquerade): I. Waltz | St. Petersburg State Symphony Orchestra, Aram Khachaturian | C Major | 3 | 8B | 94 BPM | ||
Emperor Waltz Op. 437 | Johann Strauss II, Hallé, Bryden Thomson | C Major | 0 | 8B | 186 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM |