"Slavonic Dances, B.83: (Op.46 - Nos. 1-8); B.147 (Op.72 - Nos. 1-8): No. 6 in B Major: Polonaise (Moderato, quasi Minuetto), Op.72" by Lorin Maazel, Berliner Philharmoniker was released on November 12, 2007. With this song being about 5 minutes long, at 4:41, "Slavonic Dances, B.83: (Op.46 - Nos. 1-8); B.147 (Op.72 - Nos. 1-8): No. 6 in B Major: Polonaise (Moderato, quasi Minuetto), Op.72" by Lorin Maazel, Berliner Philharmoniker is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 54 in the song's album "The Berlin Philharmonic on EMI". In this album, this song's track order is #37. Slavonic Dances, B.83: (Op.46 - Nos. 1-8); B.147 (Op.72 - Nos. 1-8): No. 6 in B Major: Polonaise (Moderato, quasi Minuetto), Op.72 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Slavonic Dances, B.83: (Op.46 - Nos. 1-8); B.147 (Op.72 - Nos. 1-8): No. 6 in B Major: Polonaise (Moderato, quasi Minuetto), Op.72 by Lorin Maazel, Berliner Philharmoniker having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM | ||
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Masquerade Suite: Romance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | B♭ Minor | 1 | 3A | 176 BPM | ||
Requiem, Op.48: 4. Pie Jesu | Gabriel Fauré, Kathleen Battle, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini | E♭ Major | 0 | 5B | 89 BPM | ||
6 Moments musicaux, Op. 94, D. 780: No. 3 Allegro moderato | Lang Lang | F Minor | 1 | 4A | 128 BPM | ||
Divertimento in D Major, K. 136, "Salzburg Symphony No. 1": I. Allegro | Wolfgang Amadeus Mozart, Munich Radio Orchestra, Ulf Schirmer | D Major | 2 | 10B | 137 BPM | ||
The Firebird, KC 10: VII. Danse infernale de tous les sujets de Kachtcheï | Igor Stravinsky, London Symphony Orchestra, Valery Gergiev | E Major | 3 | 12B | 149 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM |