"4 W.H. Auden Songs: No. 3, Carry Her Over the Water" by Peter Dickinson, James Gilchrist, Nathan Williamson had its release date on January 21, 2022. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. 4 W.H. Auden Songs: No. 3, Carry Her Over the Water's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "One Hundred Years of British Song, Vol. 3". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, 4 W.H. Auden Songs: No. 3, Carry Her Over the Water's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 4 W.H. Auden Songs: No. 3, Carry Her Over the Water by Peter Dickinson, James Gilchrist, Nathan Williamson having a テンポ of 155 with a half-time of 78 テンポ and a double-time of 310 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with running. The time signature for this track is 5/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Unsent Love Letters | Elena Kats-Chernin, Tamara Anna Cislowska | D♭ Major | 0 | 3B | 183 BPM | ||
Dolly, Op. 56 (version for piano 4 hands): I. Berceuse | Gabriel Fauré, Eric Le Sage, Alexandre Tharaud | E Major | 0 | 12B | 73 BPM | ||
The Hours: An Unwelcome Friend (From "The Hours") | Philip Glass, Nicolas Horvath | G Minor | 0 | 6A | 74 BPM | ||
Suite for the Centenary of Lord Berners for clavichord: Waltz | Peter Dickinson | C Minor | 4 | 5A | 107 BPM | ||
By the Still Waters, Op. 114 | Amy Beach, Isata Kanneh-Mason | D♭ Major | 0 | 3B | 76 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Hymn-Tune Rag | Peter Dickinson | A♭ Major | 1 | 4B | 110 BPM | ||
Concerto for Piano and Orchestra No. 23 in A major: II. Adagio | Wolfgang Amadeus Mozart, Imogen Cooper, Royal Northern Sinfonia | F♯ Minor | 0 | 11A | 85 BPM | ||
Moonbeams | Leo Livens, Duncan Honeybourne | A Minor | 0 | 8A | 64 BPM |