"12 Morceaux, Op. 40: No. 2. Chanson triste (arr. for cello and strings)" by Anonymous, Pyotr Ilyich Tchaikovsky, Karoly Botvay, Budapest Strings was released on January 1, 2004. The duration of 12 Morceaux, Op. 40: No. 2. Chanson triste (arr. for cello and strings) is about 3 minutes long, at 3:12. Based on our data, "12 Morceaux, Op. 40: No. 2. Chanson triste (arr. for cello and strings)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 15 in Classic Moods - Boccherini, L. / Handel, G.F. / Mendelssohn, Felix / Haydn, F.J. / Fibich, Z. / Tchaikovsky, P.I. / Grieg, E. / Dvorak, A. by Various Artists, Béla Bánfalvi, Peter Wohlert. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. 12 Morceaux, Op. 40: No. 2. Chanson triste (arr. for cello and strings) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 12 Morceaux, Op. 40: No. 2. Chanson triste (arr. for cello and strings) by Anonymous, Pyotr Ilyich Tchaikovsky, Karoly Botvay, Budapest Strings is Andante (at a walking pace), since this song has a tempo of 87 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romance for Violin & Orchestra No.1 G Major Op.40 | Alberto Lizzio, Philharmonica Slavonica, Ivan Czerkov | G Major | 1 | 9B | 120 BPM | ||
The Sleeping Beauty, Op. 66, TH.13 / Act 3: 23c. Pas de quatre: Variation II (Polka)(Silver Fairy) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev | A♭ Major | 1 | 4B | 118 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Symphonie fantastique, Op. 14: Un bal, Allegro non troppo | Slovak Philharminic Orchestra, Zdeněk Košler | A Major | 1 | 11B | 84 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 (orch. J. Brahms) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 2 | 6A | 135 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
The Bat, Overture (Die Fledermaus) | Ljubljana Symphony Orchestra, Anton Nanut | D Major | 2 | 10B | 85 BPM | ||
Liebestraume, S541/R211 : No. 2: Nocturne in E-Flat Major (2nd Version) | Franz Liszt, Jenő Jandó | E Major | 0 | 12B | 82 BPM | ||
Méditation de Thaïs | Jules Massenet, Peter Mirring, Dresden State Opera Chorus, Members, Staatskapelle Dresden, Silvio Varviso | E Minor | 0 | 9A | 96 BPM | ||
8 Humoresques, Op. 101, B. 187: No. 7. Poco lento e grazioso in G-Flat Major (arr. for orchestra) | Antonín Dvořák, Budapest Strings, Béla Bánfalvi | F♯ Major | 0 | 2B | 111 BPM |