"Symphony in A Minor, Op. 20: II. Andante con moto" by Georg Goltermann, ORF Vienna Radio Symphony Orchestra, Howard Griffiths was released on April 7, 2023. Since Symphony in A Minor, Op. 20: II. Andante con moto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 9 in Cello Concerto No. 1; Symphony Op. 20; Ballad; Romance by Georg Goltermann, Jamal Aliyev, ORF Vienna Radio Symphony Orchestra, Howard Griffiths. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Symphony in A Minor, Op. 20: II. Andante con moto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony in A Minor, Op. 20: II. Andante con moto by Georg Goltermann, ORF Vienna Radio Symphony Orchestra, Howard Griffiths is Allegro (fast, quick, and bright), since this song has a tempo of 127 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
シューマン:トロイメライ | Robert Schumann, Emiri Miyamoto | F Minor | 2 | 4A | 95 BPM | ||
Chanson de matin, Op. 15 No. 2 (Arr. for Cello & Piano) | Edward Elgar, Duo Arnicans | G Major | 1 | 9B | 93 BPM | ||
Piano Trio in A Minor, Op. 50: II. Variation 11 | Pyotr Ilyich Tchaikovsky, Alexandra Troussova, Kirill Troussov, Benedict Kloeckner | E Major | 1 | 12B | 87 BPM | ||
Abbey Road concerto for Violin and Orchestra: I. Ouverture | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 2 | 11B | 95 BPM | ||
Sonata No. 5 in E Minor, RV 40: I. Largo | Ashima Scripp, Eleanor Perrone | F Major | 1 | 7B | 135 BPM | ||
ouiiiiinonnn | FIVOWzy | D♭ Minor | 0 | 12A | 81 BPM | ||
Trois romances, Op. 22: I. Andante molto | Clara Schumann, Duo Alma | D♭ Major | 0 | 3B | 74 BPM | ||
4 Pieces for Cello & Piano, Op. 78: No. 2, Romance | Jean Sibelius, Duo Arnicans | F Major | 0 | 7B | 94 BPM | ||
Piano Trio in A Minor, Op. 50: II. Variation 6 | Pyotr Ilyich Tchaikovsky, Alexandra Troussova, Kirill Troussov, Benedict Kloeckner | B Minor | 2 | 10A | 109 BPM | ||
Lieder Ohne Worte, Sechtes Heft, Op. 67 (Arr. for Violin and Piano by Ferdinand David): I. Andante | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | G Major | 1 | 9B | 79 BPM |