Jacques Offenbach, Leonard Bernstein, New York Philharmonic made "Gaîté Parisienne: Cancan" available on 1968. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 15 in Bizet, Rosenthal, Offenbach & Suppé: Orchestral Works by Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Gaîté Parisienne: Cancan is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Gaîté Parisienne: Cancan by Jacques Offenbach, Leonard Bernstein, New York Philharmonic is Andante (at a walking pace), since this song has a tempo of 87 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Three Dance Episodes (From "On the Town"): III. Times Square: 1944 | Leonard Bernstein, New York Philharmonic | F Major | 4 | 7B | 93 BPM | ||
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King. Alla marcia e molto marcato | Edvard Grieg, Leonard Bernstein, New York Philharmonic | G Major | 3 | 9B | 119 BPM | ||
Offenbach / Arr Rosenthal & Griguoli: Gaîté parisienne: IV. Cancan | Jacques Offenbach, Giorgia Tomassi/Carlo Maria Griguoli/Alessandro Stella | D Major | 5 | 10B | 90 BPM | ||
Appalachian Spring: VIII. Coda. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 106 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio - Allegro molto - 2017 Remastered Version | Antonín Dvořák, Leonard Bernstein, New York Philharmonic | E Minor | 2 | 9A | 133 BPM | ||
Coppélia / Tableau 1: No. 1 Valse | Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge | C Minor | 1 | 5A | 75 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17e, Moderato alla breve | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 0 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 3. R.B.T. (Allegretto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 86 BPM | ||
Hunting (Fast Polka), Op. 373 | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | A Major | 3 | 11B | 167 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM |