Melgati made "La Chanson Des Blés D'or" available on 1905. The duration of La Chanson Des Blés D'or is about 3 minutes long, at 3:03. Based on our data, "La Chanson Des Blés D'or" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 25 in Anthologie De La Chanson Française - Chansons À Voix (1900-1920) by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, La Chanson Des Blés D'or's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of La Chanson Des Blés D'or by Melgati is Allegro (fast, quick, and bright), since this song has a tempo of 125 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alma | George V Hobart, Domain of the Public | C Minor | 3 | 5A | 74 BPM | ||
Street Scene: Lonely House | Kurt Weill, Brian Sullivan, Maurice Abravanel | A♭ Major | 3 | 4B | 88 BPM | ||
Communist Party Soviet Anthem in English | Usa Singer | B♭ Minor | 4 | 3A | 112 BPM | ||
Quando men vo` soletta per la via (La Bohème) | Hilde Gueden, London Symphony Orchestra | F♯ Minor | 1 | 11A | 75 BPM | ||
Il Barbiere di Siviglia, Act I, Scene One: Se il mio nome saper voi bramate (Conte/Rosina/Figaro) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Maria Callas, Luigi Alva, Tito Gobbi | E Minor | 1 | 9A | 171 BPM | ||
Libiamo | The 12 Tenors | B♭ Major | 3 | 6B | 210 BPM | ||
El barberillo de Lavapiés, Acto I: Marquesita, Paloma y Lamparilla | Ataúlfo Argenta, Ana Maria Olaria, Teresa Berganza, Gran Orquesta Sinfonica, Carlos Munguia, Francisco Asenjo Barbieri, Coro De Camara Del Orfeon Donostiarra | D Major | 3 | 10B | 75 BPM | ||
Verdi: Don Carlo, Act 3: "O don fatale" (Élisabeth) | Giuseppe Verdi, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | A♭ Major | 2 | 4B | 76 BPM | ||
Act I: Recitar! mentre preso dal delirio ... Vesti la giubba | Ruggero Leoncavallo, Enrico Caruso | C Major | 3 | 8B | 72 BPM | ||
Alsace Lorraine | Georges Thill | C Major | 3 | 8B | 89 BPM |