"Stabat Mater, RV 621: V. Quis Non Posset" by Antonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara Banchini was released on 1995. The duration of Stabat Mater, RV 621: V. Quis Non Posset is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Stabat Mater, RV 621: V. Quis Non Posset's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: Stabat Mater by Antonio Vivaldi, Chiara Banchini, Ensemble 415, Andreas Scholl. The song's track number on the album is #17 out of 21 tracks. Based on our data, France was the country where this track was produced or recorded. Stabat Mater, RV 621: V. Quis Non Posset is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Stabat Mater, RV 621: V. Quis Non Posset by Antonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara Banchini has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Stabat Mater, RV 621: V. Quis Non Posset being at 86 テンポ, the half-time would be 43 テンポ with a double-time of 172 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 5/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ode for St Cecilia's Day, "Welcome to all the pleasures", Z339 - original version: Here The Deities Approve | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | B♭ Minor | 2 | 3A | 105 BPM | ||
Concerto for Harpsichord, Strings and Continuo in A Major, RV 780: III. Allegro | Antonio Vivaldi, I Solisti Di Perugia, Thomas Indermühle, Claudio Brizi, Giangiacomo Pinardi | E Major | 3 | 12B | 125 BPM | ||
Dido and Aeneas, Z. 626: Act III: Dido: Thy hand, Belinda; darkness shades me | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | G Major | 0 | 9B | 179 BPM | ||
Fago: Confitebor tibi Domine: I. "Confitebor tibi Domine" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | F♯ Major | 2 | 2B | 90 BPM | ||
Concerto For Strings In D Minor, RV 128: III. Allegro | Sonatori de la Gioiosa Marca, Antonio Vivaldi | D Minor | 6 | 7A | 71 BPM | ||
Rameau: Les Indes galantes, Quatrième entrée "Les sauvages": "Forêts paisibles" (Zima, Adario, Sauvages) | Jean-Philippe Rameau, Sabine Devieilhe, Aimery Lefèvre, Le Jeune Choeur de Paris, Alexis Kossenko, Les Ambassadeurs | F♯ Minor | 3 | 11A | 85 BPM | ||
Purcell : King Arthur : Act 3 "See, see, we assemble" [Chorus] Dance | William Christie | B♭ Minor | 2 | 3A | 114 BPM | ||
Salve Regina, R.616 (Antiphona): 3. "Ad te suspiramus" (Larghetto) | Antonio Vivaldi, Michael Chance, Lisa Beznosiuk, The English Concert, Trevor Pinnock | B Minor | 0 | 10A | 83 BPM | ||
Ohimè Ch'Io Cado (Libro Nono) | Jordi Savall, Claudio Monteverdi, Montserrat Figueras | F Major | 2 | 7B | 76 BPM | ||
Matthäus-Passion, BWV 244, Erster Teil: 8. Aria (Sopran) "Blute nur, du liebes Herz" | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Sibylla Rubens | B♭ Minor | 0 | 3A | 139 BPM |