"Morning Song (Maytime in Sussex), GP 369" by Arnold Bax, Bryden Thomson, London Philharmonic Orchestra, Margaret Fingerhut was released on October 1, 1987. Since Morning Song (Maytime in Sussex), GP 369 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 9 in Bax: Symphonic Variations & Morning Song by Arnold Bax, Bryden Thomson, London Philharmonic Orchestra, Margaret Fingerhut. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Morning Song (Maytime in Sussex), GP 369 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Morning Song (Maytime in Sussex), GP 369 by Arnold Bax, Bryden Thomson, London Philharmonic Orchestra, Margaret Fingerhut is Andante (at a walking pace), since this song has a tempo of 102 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Quixote, Op. 35, TrV 184: Finale: Don Quixotes Tod | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | D Major | 0 | 10B | 83 BPM | ||
Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Variations on a Theme of Frank Bridge, Op. 10 (1937): Variation 5, Bourrée Classique | Benjamin Britten, Ensemble Allegria | A Minor | 0 | 8A | 83 BPM | ||
Bax: Elegiac Trio | Triocca, Arnold Bax, Nancy Johnson, Ríona Ó'Duinnín, Geraldine O'Doherty | D Minor | 0 | 7A | 83 BPM | ||
Norske eventyrbilleder (Scenes from Norwegian Fairy Tales), Op. 37: III - Entry of the Trolls into the Blue Mountain | Johan Halvorsen, Iceland Symphony Orchestra, Bjarte Engeset | C Major | 1 | 8B | 136 BPM | ||
The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree | Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu | B♭ Major | 0 | 6B | 86 BPM | ||
Oliver Twist: Dawn after the Murder | Arnold Bax, Rumon Gamba, BBC Philharmonic Orchestra, Paul Janes | F Major | 1 | 7B | 99 BPM | ||
Shchedrin: Carmen Suite: VII. Second Intermezzo (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | E Major | 1 | 12B | 116 BPM | ||
Massenet: Don Quichotte, Act 2: Interlude | Jules Massenet, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM |