"Etude in B-Flat Minor, Op. 8, No. 11: Andante cantabile - Remastered" by Alexander Scriabin, Vladimir Horowitz was released on 1951. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Alexander Scriabin, Vladimir Horowitz's "Horowitz Plays Scriabin (Remastered)" album is number 6 out of 39. On top of that, United States appears to be the country where this track was created. Etude in B-Flat Minor, Op. 8, No. 11: Andante cantabile - Remastered is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Etude in B-Flat Minor, Op. 8, No. 11: Andante cantabile - Remastered by Alexander Scriabin, Vladimir Horowitz to be Adagio (slowly with great expression) because the track has a tempo of 68 テンポ, a half-time of 34テンポ, and a double-time of 136 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beau soir, L. 6 (L. 84) (Arr. Heifetz for Violin and Piano) | Claude Debussy, Lisa Batiashvili, Yannick Nézet-Séguin | F Minor | 1 | 4A | 79 BPM | ||
4 Sketches, Op. 5, JB 1:67: No. 2, Melancholy. Allegretto | Bedřich Smetana, Jitka Čechová | A♭ Minor | 0 | 1A | 173 BPM | ||
Ballade slave | Claude Debussy, Alain Planès | F Major | 0 | 7B | 64 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: VI. Passacaglia | Ottorino Respighi, Konstantin Scherbakov | G Minor | 2 | 6A | 96 BPM | ||
4 Impromptus, Op.90, D.899: No.2 in E flat: Allegro | Franz Schubert, Krystian Zimerman | E Minor | 1 | 9A | 67 BPM | ||
Études, Op. 10: Etude No. 6 in E-Flat Minor, Op. 10, No. 6 | Frédéric Chopin, Idil Biret | A♭ Major | 0 | 4B | 73 BPM | ||
Woodland Sketches, Op. 51: No. 1: To a Wild Rose | Edward MacDowell, James Barbagallo | A Major | 0 | 11B | 87 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
4 Postludes for Piano & String Orchestra: No. 3. Larghetto, con moto (poco rubato) | Valentin Silvestrov, Elisaveta Blumina, Stuttgart Chamber Orchestra, Thomas Sanderling | G Major | 0 | 9B | 74 BPM | ||
Preparation for the Final Mystery - Realised by Alexander Nemtin - Part 3 - Transfiguration: Infernale | Alexander Scriabin, Thomas Trotter, St.Petersburg Chamber Choir, Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy, Anna-Kristiina Kaappola | B♭ Minor | 3 | 3A | 48 BPM |