Francesco Bartolomeo Conti, Zoltán Megyesi, Orfeo Orchestra, Gyorgy Vashegyi's 'Missa Sancti Pauli: No. 10, Qui tollis II' came out on October 19, 2018. With Missa Sancti Pauli: No. 10, Qui tollis II being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 28 in Conti: Missa Sancti Pauli by Francesco Bartolomeo Conti, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. The popularity of Missa Sancti Pauli: No. 10, Qui tollis II is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Missa Sancti Pauli: No. 10, Qui tollis II by Francesco Bartolomeo Conti, Zoltán Megyesi, Orfeo Orchestra, Gyorgy Vashegyi is Vivace (lively and fast), since this song has a tempo of 167 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tirannide vezzosa | Cataldo Amodei, Cappella Mediterranea, Leonardo García-Alarcón, Valerio Contaldo | B♭ Minor | 0 | 3A | 110 BPM | ||
2. Notenbüchlein für Anna Magdalena Bach: I. No. 13a, Gib Dich zufrieden und sei stille, BWV 511 | Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Jubilate, o amoeni chori, RV 639 - Gloria in D Major, RV 588: VIII. Qui tollis peccata mundi: Adagio | Antonio Vivaldi, Jane Archibald, Nils Brown, Anita Krause, Aradia Chorus, Aradia Ensemble, Kevin Mallon | E Major | 2 | 12B | 80 BPM | ||
Dixit Dominus, HWV 232: III. Tecum principium in die virtutis | George Frideric Handel, Johanna Winkel, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
Vespeare cum ordinariis psalmis: Virgam virtutis tuae | Jan Josef Ignac Brentner, Inégal Ensemble, Adam Viktora, Prague Baroque Solists | B Major | 2 | 1B | 105 BPM | ||
Il Gioseffo: Bramo un core che impari dal mio (Aria) | Francesco Bartolomeo Conti, Núria Rial | B Minor | 2 | 10A | 116 BPM | ||
Messa Della Domenica: Canzon Dopo la Pistola | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Fra cetre, e fra trombe, Cantata: III. Aria Due grand alme | Francesco Bartolomeo Conti, Christoph Hammer, Neue Hofkapelle München | B Major | 5 | 1B | 131 BPM | ||
Ascanio, Sinfonia: II. [Sarabande] | Antonio Lotti, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM | ||
La Giuditta: Part I: Aria: Turbe timide, che fate? (Giuditta) | Alessandro Scarlatti, Sophie Landy, Raphael Pichon, Carl Ghazarossian, Ensemble Baroque de Nice, Gilbert Bezzina | B Major | 5 | 1B | 112 BPM |