"Pulcinella, K 034: VI. Gavotta con due Variazioni" by Igor Stravinsky, Orquestra De Cambra Teatre Lliure, Josep Pons was released on 1996. With this song being about 5 minutes long, at 4:47, "Pulcinella, K 034: VI. Gavotta con due Variazioni" by Igor Stravinsky, Orquestra De Cambra Teatre Lliure, Josep Pons is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 20 in the song's album "Stravinsky: Pulcinella". In this album, this song's track order is #6. Furthermore, we believe that the track originated from France. Pulcinella, K 034: VI. Gavotta con due Variazioni is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Pulcinella, K 034: VI. Gavotta con due Variazioni by Igor Stravinsky, Orquestra De Cambra Teatre Lliure, Josep Pons having a テンポ of 77 with a half-time of 38 テンポ and a double-time of 154 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Concerto for 3 Trumpets, 2 Oboes, Timpani, Strings and Continuo in D: 1. Intrada | Georg Philipp Telemann, Håkan Hardenberger, Michael Laird, William Houghton, Celia Nicklin, Tess Miller, Graham Sheen, John Constable, Academy of St. Martin in the Fields, Iona Brown | A Major | 2 | 11B | 109 BPM | ||
Piano Trio No. 2, Op. 67: 1. Andante - Moderato - Poco più mosso | Dmitri Shostakovich, Vladimir Ashkenazy, Zsolt-Tihamér Visontay, Mats Lidström | C Minor | 2 | 5A | 125 BPM | ||
Masques et bergamasques Suite, Op. 112: III. Gavotte: Allegro vivo | Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot | D Minor | 1 | 7A | 101 BPM | ||
Clarinet Concerto No. 1 in F Minor, Op. 73: I. Allegro | Carl Maria von Weber, Charles Neidich, Orpheus Chamber Orchestra | E Major | 1 | 12B | 112 BPM | ||
Cypresses B.152: 5. Andante | Antonín Dvořák, Hagen Quartett | A♭ Major | 0 | 4B | 125 BPM | ||
Sonata for flute & piano, Op.167 'Undine': III. Andante Tranquillo | Carl Reinecke, Emmanuel Pahud | G Major | 0 | 9B | 69 BPM | ||
String Quartet No. 1 in C Major, Op. 49: 3. Allegro molto | Dmitri Shostakovich, Borodin Quartet | G Minor | 3 | 6A | 121 BPM | ||
Quartet for Strings in E Minor Op.121: III Allegro | Gabriel Fauré, Quatuor Ébène | G Major | 1 | 9B | 83 BPM | ||
Debussy: Épigraphes antiques, CD 139, L. 131: No. 1, Pour invoquer Pan, dieu du vent d'été (Arr. Lenski for Flute and Piano) | Claude Debussy, Emmanuel Pahud, Stephen Kovacevich | F♯ Major | 0 | 2B | 113 BPM |