On October 7, 2022, the song "L'arte dell'arco, B.F11: Variazione No. 1 (Transcr. and embellishments by Luca Astolfoni Fossi)" was released by Giuseppe Tartini, Claudio Ferrarini. With L'arte dell'arco, B.F11: Variazione No. 1 (Transcr. and embellishments by Luca Astolfoni Fossi) being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Giuseppe Tartini, Claudio Ferrarini's "Giuseppe Tartini: Il Trillo del Diavolo & L’arte dell’arco (Transcr. and embellishments by Luca Astolfoni Fossi)" album is number 6 out of 56. On top of that, Italy appears to be the country where this track was created. L'arte dell'arco, B.F11: Variazione No. 1 (Transcr. and embellishments by Luca Astolfoni Fossi) is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of L'arte dell'arco, B.F11: Variazione No. 1 (Transcr. and embellishments by Luca Astolfoni Fossi) by Giuseppe Tartini, Claudio Ferrarini to be Andante (at a walking pace) because the track has a tempo of 84 テンポ, a half-time of 42テンポ, and a double-time of 168 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Wq. 30: Dance Of The Furies | Christoph Willibald Gluck, Orpheus Chamber Orchestra | D Minor | 4 | 7A | 150 BPM | ||
Sonata No. 14 "Moonlight" in C-Sharp Minor", Op. 27 No. 2: II. Allegretto | Ludwig van Beethoven, Paul Lewis | D♭ Major | 1 | 3B | 64 BPM | ||
Violin Concerto in C Major, D12 | Giuseppe Tartini, Gordan Nikolitch, Arie Van Beek, Orchestre d'Auvergne | C Major | 1 | 8B | 177 BPM | ||
Passacaglia for Violin and Viola | Johan Halvorsen, Davide Alogna, José Adolfo Alejo | G Minor | 1 | 6A | 176 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Theme - Andante | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | G Minor | 0 | 6A | 91 BPM | ||
Battalia à 10 in D Major, C 61: I. Sonata | Heinrich Isaac von Biber, Il Giardino d'Amore, Stefan Plewniak | F Major | 1 | 7B | 78 BPM | ||
Suggestion diabolique, Op. 4 No. 4 | Sergei Prokofiev, Stefania Argentieri | C Minor | 3 | 5A | 91 BPM | ||
Saint-Saëns: Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Jacqueline du Pré, Daniel Barenboim, New Philharmonia Orchestra | F Major | 1 | 7B | 82 BPM | ||
Brahms Hungarian Dance No.1: Johannes Brahms | Mela Tenenbaum | G Minor | 2 | 6A | 62 BPM | ||
Sarasate: Introduction et Tarantelle, Op. 43 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | G Major | 2 | 9B | 117 BPM |