Alfredo Casella, Catello Coppola, Aniello Iaccarino made "Sicilenne et Burlesque in F-Sharp Major, Op. 23: II. Burlesque" available on February 23, 2024. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Catello Coppola, Aniello Iaccarino's "Gaubert, Casella, Koechlin, Pilati: Au-Delà Du Cadre (Early Twentieth-Century European Music for Flute and Piano)" album is number 5 out of 11. On top of that, Italy appears to be the country where this track was created. Based on our statistics, Sicilenne et Burlesque in F-Sharp Major, Op. 23: II. Burlesque's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Sicilenne et Burlesque in F-Sharp Major, Op. 23: II. Burlesque by Alfredo Casella, Catello Coppola, Aniello Iaccarino to be Allegro (fast, quick, and bright) because the track has a tempo of 131 テンポ, a half-time of 66テンポ, and a double-time of 262 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sarabande et rigaudon, Op. 93: Sarabande | Camille Saint-Saëns, Orchestre National de Lille, Jun Markl | E Major | 1 | 12B | 84 BPM | ||
2 Ricercari sul nome B-A-C-H, Op. 52: I. Funebre | Alfredo Casella, Luca Ballerini | B♭ Major | 0 | 6B | 89 BPM | ||
Silent Woods, Op. 68/5 - version for Cello and Piano: Silent Woods | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | F♯ Major | 0 | 2B | 92 BPM | ||
Lyrical Pieces, Op. 12: No. 1, Arietta | Edvard Grieg, Denis Kozhukhin | E♭ Major | 0 | 5B | 76 BPM | ||
2 Melodies, Op. 3: Melody No. 1 in F Major | Anton Rubinstein, Joseph Banowetz | F Major | 0 | 7B | 68 BPM | ||
3 Songs, Op. 7: I. Après un rêve (Version for Violin and Piano) | Gabriel Fauré, María Dueñas, Itamar Golan | D Major | 1 | 10B | 87 BPM | ||
Piano Concerto No. 6: II. Larghetto | John Field, Matthias Bamert, London Mozart Players, Miceal O'Rourke | E Major | 0 | 12B | 79 BPM | ||
Sibelius: 13 Pieces, Op. 76: No. 2, Étude | Jean Sibelius, Leif Ove Andsnes | A Minor | 1 | 8A | 127 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
18 Études, Op. 109: No. 14, Refrain du gondolier | Friedrich Burgmüller, Carl Petersson | A Major | 1 | 11B | 85 BPM |