"The Sleeping Beauty (Suite), Op. 66a, TH. 234: II. Pas d'action: Rose Adagio" by Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Mstislav Rostropovich was released on January 1, 1996. The Sleeping Beauty (Suite), Op. 66a, TH. 234: II. Pas d'action: Rose Adagio is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. There are a total of 19 in the song's album "Tchaikovsky: Ballet Suites". In this album, this song's track order is #8. The Sleeping Beauty (Suite), Op. 66a, TH. 234: II. Pas d'action: Rose Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Sleeping Beauty (Suite), Op. 66a, TH. 234: II. Pas d'action: Rose Adagio by Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Mstislav Rostropovich having a テンポ of 67 with a half-time of 34 テンポ and a double-time of 134 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchaikovsky: Swan Lake, Op. 20, Act 3: Spanish Dance | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | F♯ Minor | 2 | 11A | 125 BPM | ||
Messiah, HWV 56: Part 2: Hallelujah (Chorus) | Nikolaus Harnoncourt | D♭ Major | 3 | 3B | 86 BPM | ||
Romeo and Juliet, Ballet Suite, Op. 64a, No. 1: V. Masks | Sergei Prokofiev, National Symphony Orchestra Washington, Mstislav Rostropovich | C Major | 2 | 8B | 72 BPM | ||
Peer Gynt Suite No. 2, Op. 55: I. The Abduction (Ingrid's Lament) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 135 BPM | ||
Parsifal, WWV 111 / Act I: Verwandlungsmusik | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 91 BPM | ||
Ihr Kinderlein kommet | Deutsches Filmorchester Babelsberg | C Major | 3 | 8B | 151 BPM | ||
3 Nouvelles etudes, Op. posth.: II. Etude No. 26 in A-Flat Major | Frédéric Chopin, Idil Biret | A♭ Major | 0 | 4B | 74 BPM | ||
Bach: Herz und Mund und Tat und Leben, BWV 147: Chorale. "Jesus bleibet meine Freude, Meines Herzen Lust und Saft" | Johann Sebastian Bach, Choir of King's College, Cambridge, Sir David Willcocks, Academy of St. Martin in the Fields | G Major | 1 | 9B | 94 BPM | ||
Tchaikovsky: The Nutcracker, Op. 71, Act I, Scene 1: No. 1, Decoration of the Christmas Tree | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Sir Simon Rattle | D Major | 1 | 10B | 110 BPM | ||
Music for The Royal Fireworks, HWV351: La Réjouissance | George Frideric Handel, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | D Major | 2 | 10B | 81 BPM |