Peter Grimes Op. 33, ACT 1 Scene 1: They listen to money (Balstrode/Peter)

Benjamin Britten, Anthony Rolfe Johnson, Thomas Allen, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink, Orch.Of Royal Opera House Covent Garden
Britten: Peter Grimes
1:29 1993日
テンポ
95
キー
A Minor
キャメロットミュージックキー
8A

リンクを埋め込む

共有

Peter Grimes Op. 33, ACT 1 Scene 1: They listen to money (Balstrode/Peter) - Benjamin Britten, Anthony Rolfe Johnson, Thomas Allen, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink, Orch.Of Royal Opera House Covent Garden 情報

音響性
96%
ダンサビリティ
12%
エネルギー
8%
手段性
73%
活気
8%
ラウドネス
56%
話し言葉
4%
価数
4%
人気
ラウドネス
-26.278 dB

まとめ

"Peter Grimes Op. 33, ACT 1 Scene 1: They listen to money (Balstrode/Peter)" by Benjamin Britten, Anthony Rolfe Johnson, Thomas Allen, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink, Orch.Of Royal Opera House Covent Garden had its release date on 1993. With This song being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 45 in Britten: Peter Grimes by Benjamin Britten, Bernard Haitink. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Peter Grimes Op. 33, ACT 1 Scene 1: They listen to money (Balstrode/Peter) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Peter Grimes Op. 33, ACT 1 Scene 1: They listen to money (Balstrode/Peter) テンポ

The tempo marking of Peter Grimes Op. 33, ACT 1 Scene 1: They listen to money (Balstrode/Peter) by Benjamin Britten, Anthony Rolfe Johnson, Thomas Allen, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink, Orch.Of Royal Opera House Covent Garden is Andante (at a walking pace), since this song has a tempo of 95 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.

Peter Grimes Op. 33, ACT 1 Scene 1: They listen to money (Balstrode/Peter) キー

A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Symphony No. 3 in C Minor, Op. 78 Symphony No. 3 in C Minor, Op. 78 "Organ": I. AdagioCamille Saint-Saëns, Eugene Ormandy, Philadelphia OrchestraF Minor04A84 BPM
Carmina Burana: XXI. In trutina by Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard HickoxCarmina Burana: XXI. In trutinaCarl Orff, London Symphony Chorus, London Symphony Orchestra, Richard HickoxD Major010B170 BPM
Variations on an Original Theme, Op. 36 Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante)Edward Elgar, London Symphony Orchestra, Eugen JochumG Minor06A172 BPM
Symphonic Dances, Op. 45: II. Andante con moto (Tempo di valse) by Sergei Rachmaninoff, Berliner Philharmoniker, Lorin MaazelSymphonic Dances, Op. 45: II. Andante con moto (Tempo di valse)Sergei Rachmaninoff, Berliner Philharmoniker, Lorin MaazelC Minor05A83 BPM
Symphony No.9 In D / 1. Satz: Andante comodo by Gustav Mahler, Berliner Philharmoniker, Herbert von KarajanSymphony No.9 In D / 1. Satz: Andante comodoGustav Mahler, Berliner Philharmoniker, Herbert von KarajanD Major110B172 BPM
Symphony No. 4 in A Major, Op. 90, MWV N 16, Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": III. Con moto moderatoFelix Mendelssohn, London Symphony Orchestra, Claudio AbbadoA Major011B69 BPM
Brook Green Suite: I. Prelude by Gustav Holst, English Sinfonia, Howard GriffithsBrook Green Suite: I. PreludeGustav Holst, English Sinfonia, Howard GriffithsF Major27B123 BPM
Divertimento on 'Sellinger's Round': II. A Lament (Andante espressivo) by Michael Tippett, Academy of St. Martin in the Fields, Sir Neville MarrinerDivertimento on 'Sellinger's Round': II. A Lament (Andante espressivo)Michael Tippett, Academy of St. Martin in the Fields, Sir Neville MarrinerC Minor05A69 BPM
Massenet: Mélodie-Elégie, Op. 10 No. 5 from Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes"Jules Massenet, Edgar Moreau, Pierre-Yves HodiqueE Minor09A73 BPM
Suite No. 3, P. 172: IV. Passacaglia: Maestoso by Ottorino Respighi, RTÉ National Symphony OrchestraSuite No. 3, P. 172: IV. Passacaglia: MaestosoOttorino Respighi, RTÉ National Symphony OrchestraG Minor26A119 BPM
ISRC
GBAYC9201714
レコードレーベル
L-M Records/RCA Records